Jump to content

Search the Community

Showing results for tags 'Jewelry'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Ceramic Arts Daily Forums
    • Forum FAQ & Terms of Use
    • Studio Operations and Making Work
    • Clay and Glaze Chemistry
    • Equipment Use and Repair
    • Business, Marketing, and Accounting
    • Educational Approaches and Resources
    • Aesthetic Approaches and Philosophy
    • Int'l Ceramic Artists Network (ICAN) Operations and Benefits
    • Ceramic Events of Interest
    • Community Marketplace – Buy/Sell/Trade/Free

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

Found 7 results

  1. Background: I made oval earrings (oval shape with large oval cutout so they are more like an oval outline) (15 pairs) on the claybody Highwater Clays Little Loafers (Cone 6). I painted designs on them with Amaco underglazes. The tops of each have small holes (i'll put metal hoops them after they are all done). They have already been bisque fired. I also have three other pairs of earrings that have only small earrings. Goal: Now, I want to put a clear glaze on them and glaze fire them. Ideally, in one batch. What I have in my possession vs. what I could acquire. The clear glaze I alre
  2. Hi there! After receiving some truly valuable information from a knowledgeable community member on here, I've decided to give up on my old kiln and invest in a new one. Since then I've begun researching which kiln might be right for me. I am planning on only firing low fire, cone 06 clay, and glaze of the same cone temperature. I would love a kiln that might double as a jewelry making kiln so that I may create some pieces out of metal clay as well. I came across the Evenheat Kingpin 88 on a ceramics website, and at first glance, thought it might be perfect. However, everywhere that s
  3. Hey guys, just recently I was assigned a project dealing with ceramics. In the the midst of my research I discovered that ceramics are no longer just any ideal material for pottery, dinnerware, or sculpture. I discovered ceramic have found their way into the world of jewelry and textile fashion. Which from a personal standpoint, is a very interesting subject. The thought of using a material that is stereotyped as “frail,†(due to glass and porcelain ability to shatter when being dropped) made me wonder why would a jeweler or a textile designer would use this material? Why would they choose
  4. Hello! New to the ceramic world and I am very interested in delving into Porcelain (cone 6) clay. I'm interested in designing very contemporary and minimal jewelry, however I understand that porcelain shrinks significantly during the firing process. My question is: how would I go about firing Specifically rings? are there certain metal rods that I could use in the kiln, similar to a bead rack that can keep the ring smooth and even during the process and POSSIBLY true to the size once finished? I've seen many of these beautiful rings online and I'm very unsure how to fire them. Also, is
  5. From the album: WIPs

    More WIP. Some molds I made along with some random objects used for impressions, including a cameo of Dante. -The cup in the upper left is not my work btw.
  6. From the album: WIPs

    Greenware on the left, Bisque fired on the right

    © Ann Nielsen

  7. From the album: Handmade Clay Stamps

    Here is a set of earrings I made shown with my handmade bisque teardrop stamp. This is one of my favorite stamps I've ever made.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.