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Showing results for tags 'Electric firing'.
Recently LeeU asked in the question pool.. . "There are some posts in the archives about using coffee grounds for texture or glaze effects, and some old Clay Art posts about using everything from crushed walnuts to granite dust. What kinds of organics have you used recently? Did it “work” or not so much? Please specify if fired by electric, gas, wood, or raku, in oxidation or reduction." If I get this question right, I imagine it is What kinds of organic materials have you added to your clay or glazing recently? Please specify if fired by electric, gas, wood or raku, in oxidation or reduction. I have worked at Penn State in graduate classes(credit, but non-degree). While there we did quite a bit of experimentation with Don Tigny. I did add straw, chaff, raw oats, wheat, and other materials that were organic to the clay bodies, especially when working with raku. I also put the proverbial banana on the top of plates and lids, or just the peels, peach skins, apple slices, and even flowers on while doing reduction gas. I really did not fire these kilns. Then I did salt where I tried some pieces with organic and mineral materials added to the clay, but as at the time I did not understand how to work with the chunkies in the clay while throwing they were not very successful percentage wise. Later I had a workshop that used sawdust added to the clay, and pearlite added to another body. Both of these to help speed drying for 2 day workshops. So what have you done to you clay and glazing that may be of interest to the community? best, Pres
From the album: FavoritesI love all the varied shapes a good mug comes in. The shape is my current favorite. It works well to separate the textured areas from the geometric sgraffito in the bottom. It has a pulled handle and commercial glazes and was fired to cone 6 electric.