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Showing results for tags 'Cone 6'.
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I'm a beginner potter and I've tried wood firing pottery outdoors because an electric kiln is not very accessible for me. My small kiln is about a bit bigger than 2'x2'x2' and made from regular red bricks with a regular grill grate halfway to place pottery. As you can probably tell, it has terrible insulation and I can never get it to a high enough temp to fire glazed pottery. I can bisque fire and it works but It never gets hot enough to melt glaze, even the low fire glazes I use. I really don't want to ditch this project because I've already put so much time and material into it -
Hello! I recently purchased some Laguna Speckled Buff (WC-403) and have been throwing some pieces on the wheel. I have been looking for a perfect honey brown/light tan speckled clay and finally came across this one. Anyway, I made and fired some pieces with a Cone 6 cone in the kiln sitter and everything turned out kind of burned (?) looking and darker than I was expecting. I fired some more pieces but this time put a Cone 5 bar in the kiln sitter and got almost the same result My glazes also aren't showing up as well. Does anyone have any ideas of why it is coming out like this or have
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Hi! My previous studio had a beautiful cone 6 glaze called Blue Hares, I'm trying to purchase it since my new studio doesn't have it but all I'm finding is how to mix it yourself. Anyone know if it's possible to buy it online and if so where? Thanks!
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My rutile blue glaze (Mastering Cone 6, Glossy Base 1, Variegated Blue) hasn't been variegated since I made the switch from an ancient Econo-kiln to an Easy-Fire. Using records from old firings to program and reprogram the new kiln, I've clearly failed at matching the heat work I achieved with the old Low, Medium, and High settings on my old kiln. Glaze appears grayish and even instead of bright and variegated. I assume the difference is that my old kiln with its small elements was relying more on time than on temperature to get cone 6 down. I'd appreciate any advice for testing that theor -
From the album: Favorites
I love all the varied shapes a good mug comes in. The shape is my current favorite. It works well to separate the textured areas from the geometric sgraffito in the bottom. It has a pulled handle and commercial glazes and was fired to cone 6 electric. -
From the album: Glazed Ceramics 2013
This whole bowl was glazed in sun valley. The outside ran quite a bit onto the foot and cookie it was resting on, but the inside result was very interesting. It breaks in a light blue, and can have a whole range of color changes as it melts. In 2013 this was the largest bowl I had managed to throw, it was made out of 10 pounds of clay. Deciding on if I want to use this glaze again on future works, as it is very unpredictable and runny. -
From the album: Favorites
This was a new take on a design I've been doing awhile. It may have spurred a new variation on several of my usual pots. I'm excited to see what comes of it. The pattern at the bottom was created with paper resist and sgraffito. After bisque fired, black underglaze was applied and wiped back, then colorful accents added to the wings. It's finished with commercial ial glazes and fired to cone 6 in an electric kiln. -
From the album: Favorites
Wheel thrown and hand carved. The bottom features a leaf design created by using paper leaves as a resist to the underglaze. Sgraffito designs were added along with a pulled handle and spiral embellishments. Fired to cone 6 in an electric kiln. -
From the album: Favorites
Set of butterfly bowls I just finished. I'm fairly pleased with how they came out even though they were over fired. -
From the album: Favorites
Wheel thrown vase with geometric carved design and rainbow pattern in underglaze. Commercial glazes, fired to cone 6 in an electric kiln. -
From the album: Favorites
This one is fresh from my latest firing. I'm in love with this one. It's wheel thrown with a pulled handle, underglaze decoration, and hand carved texture. It's glazed in 3 different commercial glazes and fired in my electric kiln. -
From the album: Favorites
wheel thrown bowl covered in underglaze. I used paper butterfly's to resist the white underglaze and create the butterfly design. I then carved a geometric pattern on the inside and outside of the bowl. It's finished in a commercial clear glaze and fired to cone 6 in an electric kiln. -
From the album: Favorites
Wheel thrown vase with underglaze and sgraffito geometric design. Hand textured and fired in an electric kiln to cone 6. -
From the album: Favorites
Small wheel thrown bowl with underglaze, geometric sgraffito carving, fired to cone 6 in an electric kiln. -
From the album: Pottery 2016
Thrown on the pottery wheel in rough speckled stoneware, carved deeply with mountain design. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6 in an electric kiln.© Giselle No. 5 Ceramics 2016, all rights reserved
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From the album: Pottery 2016
Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6 in an electric kiln.© Giselle No. 5 Ceramics 2016, all rights reserved
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From the album: Pottery 2016
Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6.© Giselle No. 5 Ceramics 2016, all rights reserved
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Porcelain Vase 10" Fired to cone 6 Oxidation
jim keffer pottery posted a gallery image in Browse Member Galleries
From the album: Jim Keffer Pottery
Porcelain Vase 10" Fired to cone 6 Oxidation with Black Opulence Coyote Blue and Saturation Metalic -
From the album: glazed for blandy 2015
this glaze was reviewed by an expert who said it is a strange recipe with almost no clay. it is a cordovan leather color in my opinion. -
From the album: Slip Cast Dinner and Bakeware
Slip cast in Moroccan Sand slip, then decorated with white slip trailing.© Giselle Massey, Giselle No. 5 Handmade 2014
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From the album: Fountains
A water feature with an upper raku vessel, illuminated with multi-glaze, mosaic-style designs depicting a north American River Otter. The lower pedestal is fired at cone-six, and contains the fountain pump. -
From the album: Favorites
This vase is about 6 square. I threw it then carved grooves in the top and bottom. The grooved sections get a couple coats of black engobe because I like the way the glaze looks over the black. The middle is black engobe with paper branches then blue engobe then the paper is peeled off. It has commercial glazes and was fired to cone 6 in my electric kiln. I tried to get fancy with the picture. -
From the album: My nautical stuff
I throw the goblets in 2 parts then assemble them. They are some of my favorite pieces to make. -
From the album: My nautical stuff
One of my earlier nautical designs. This one is from 2005 I think. -
From the album: My nautical stuff
another view of my nautical teapot. The top is a yo yo jar I threw in one piece without a bottom and then stacked after throwing the main body of the teapot.
