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  1. Yoshi Fujii Seductive Elegance: Clay Carving Techniques This 2-day participation workshop will introduce students to surface embellishment through carving the leather-hard surface. Yoshi will demonstrate using the potter’s wheel to create functional objects (simple cup & bowl forms) to serve as a collection point for visual inspiration. Students will explore the elegant quality of porcelain and seductive beauty possible through hand-carved lines, patterns and motifs and slip trailing to create visual and physical depth for tactile communication. Previous clay experience is req
  2. Hello. I love carving on my pots, and am looking for quality carving tools that will give me the preciseness I'm looking for. I understand that diamondcore makes amazing tools, however I do not currently have the amount of money it takes to buy their product. Are there any quality alternatives out there? Thanks!
  3. These are not ceramic artworks so I didn't want to post more than one without asking if anyone was interested in looking. This is crystal from a studio located in Nian, China carved from a Brazilian flawless 5 ton quartz crystal. The master studied the stone for 2 years and carving and polishing another 5 years by a team of a dozen carvers working under the direction of the master. These works are never seen by the public and are only owned by private collectors, although some government museums may have some of his work in their collections
  4. I am new to clay, both hand-building and throwing, and have been making images on pots in two ways- by painting in underglaze and by using commercially available texture mats and roller stamps. I would like to learn to carve into the clay myself. Can anyone recommend some good resource or resources to help me learn to do this? I would be particularly happy for book recommendations.
  5. From the album: Favorites

    I love all the varied shapes a good mug comes in. The shape is my current favorite. It works well to separate the textured areas from the geometric sgraffito in the bottom. It has a pulled handle and commercial glazes and was fired to cone 6 electric.
  6. From the album: Favorites

    Wheel thrown vase with geometric carved design and rainbow pattern in underglaze. Commercial glazes, fired to cone 6 in an electric kiln.
  7. From the album: Pottery 2016

    Cone 5 B-Mix, carved and glazed in Stoned Denim from Mayco.

    © Giselle Massey 2016 all rights reserved

  8. From the album: Pottery 2016

    Interior of elaborately carved pie plate made with red clay and inlaid with white slip (and a touch of white underglaze).

    © Giselle No. 5 Ceramics, all rights reserved

  9. From the album: Playing with mud 2016

    Love doing this Adam Field style carving - very therapeutic! Have designed similar patterns of my own for future pieces.
  10. From the album: Pottery 2016

    Wheel thrown in buff stoneware with speckles. Carved with wildflowers and grass. Underglazed with Duncan Concepts Bright Kiwi. Interior glazed with Laguna Peach Blush. Flowers in Peach Blush, Dynasty Red, and Blackberry Wine. Exterior aside from flowers left raw.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  11. From the album: Pottery 2016

    Wheel thrown in buff stoneware with speckles. Carved with wildflowers and grass. Underglazed with Duncan Concepts Bright Kiwi. Interior glazed with Laguna Dynasty Red. Flowers in Peach Blush, Dynasty Red, and Blackberry Wine. Exterior aside from flowers left raw.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  12. From the album: Pottery 2016

    Wheel thrown in buff stoneware with speckles. Carved with wildflowers and grass. Underglazed with Duncan Concepts Bright Kiwi. Interior glazed with Laguna Peach Blush. Flowers in Peach Blush, Dynasty Red, and Blackberry Wine. Exterior aside from flowers left raw.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  13. From the album: Pottery 2016

    White stoneware, thrown on the pottery wheel, carved in a design of eucalyptus leaves in the wind. Glazed in Mayco's Stoned Denim at ^6 in an electric kiln.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  14. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6 in an electric kiln.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  15. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  16. From the album: Rogryphon's stuff

    The four elements are depicted on the sides of this bowl. This side is waves.

    © gryphonwyck 2015

  17. From the album: Wheel Thrown Work, 2015

    Body thrown in white, carved poppies design brought out in underglaze and overglaze color. Clear over all and a bright color on interior.

    © Copyright Giselle Massey - Giselle No. 5 Ceramics - All Rights Reserved

  18. From the album: Wheel Thrown Work, 2015

    Closeup of the carved and underglazed detail on my Icelandic Poppies vase. It has a lovely texture to touch.

    © Copyright Giselle No. 5 Ceramics (Giselle Massey) 2015, all rights reserved

  19. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey, Giselle No. 5 Ceramics, all rights reserved

  20. From the album: 2015 Sgraffito

    Lidded jar depicting Choctaw woman collecting bark for medicine tea.

    © 2015, Carolyn Bernard Young

  21. From the album: Work in Progress

    My first successful one-piece flowerpot with attached saucer! Carved with wildflowers and will be glazed in bright, beautiful colors.

    © Copyright Giselle Massey 2015

  22. From the album: Wheel Thrown Work, 2015

    I don't even want to talk about how long this took to make ... more a work of art than a production piece. But I enjoyed making it so much and this is the first piece I've ever made that came out even better than I imagined. I love everything about it (this never happens to me). I used white slip on the inside of the bowl and white engobe on the flowers so the colors would show true. It worked very well, but some of the little speckles showed through anyway, which I found completely charming.

    © Copyright Giselle Massey 2015 All Rights Reserved

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