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Found 166 results

  1. From the album: Tornado Pot Sketches and Progress Images

    This sketch started out far too tall..so, intentional extreme stretching as I formed the ridges weakened the side walls to allow them to slump. It may be too short once dried, bisqued, and glazed but I've decided to hang onto it. Note: It is about 11" tall at the greenware stage. There was a time when something like this would have been slop bucket fodder...now, I'm kinda linking the looseness of the form and THAT is a stretch for me (just hoping I don't slump due to all this stretching *grin*)

    © Copyright 2015, Paul M. Chenoweth, Nashville, TN. All rights reserved.

  2. From the album: Work in Progress

    Playing around with different slip designs for my favorite from my set of vintage dinnerware.

    © Giselle Massey, Giselle No. 5 Handmade, all rights reserved

  3. GiselleNo5

    MG 3601

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  4. GiselleNo5

    MG 3595

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  5. GiselleNo5

    MG 3591

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  6. GiselleNo5

    MG 3572

    From the album: Slip Cast Dinner and Bakeware

    A slip cast piece made in a vintage pie plate mold with two tones of slip. Fired to ^6.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  7. GiselleNo5

    MG 3551

    From the album: Slip Cast Dinner and Bakeware

    Simple and elegant. I cast this in white stoneware slip and added some slip trailing. The plate is glazed in matte cream with a gloss clear over the center portion.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  8. GiselleNo5

    MG 3500

    From the album: Slip Cast Dinner and Bakeware

    This is my favorite platter from my set of vintage molds. I cast it in white stoneware and when it was leather hard decorated with slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  9. GiselleNo5

    MG 3490

    From the album: Slip Cast Dinner and Bakeware

    This is my favorite platter from my set of vintage molds. I cast it in white stoneware and when it was leather hard decorated with slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  10. GiselleNo5

    MG 3446

    From the album: Slip Cast Dinner and Bakeware

    This is my favorite platter from my set of vintage molds. I cast it in white stoneware and when it was leather hard decorated with slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  11. Hi, I throw with stoneware but would like to give the look and feel of terracotta to the clay. I use (Draycott stoneware). Do you know any recipe, maybe applying some slip or oxide colorant before throwing? Any recommendations? Thanks! Andrea.
  12. cmdutcher

    close up

    From the album: Neriage

    Stained stoneware with Mason stain 6339 (royal blue) and threw it with regular gray stoneware. We'll see how it fires!
  13. Has anyone tried coloring gray stoneware with mason stains? I've used mason stains in cone 10 porcelain and it's been great, but I'm wondering if cone 10 stoneware is colorable too? I can of course test this out, but if someone else has done it that's of course a lot less time consuming! Of course the coloring won't be as bright as porcelain no matter what, but I'm more worried about the shrinkage rate changing possibly if I decided to use a colored stoneware with my regular stoneware.
  14. From the album: Lori Hess of Claybird Pottery Studio

    -this was the first pitcher I ever threw and then subsequently altered ...what a ride it's been

    © Claybird Pottery Studio

  15. I use nichrome wire hooks to hang decorations no larger than half the size of the palm of your hand and no thicker than 5mm, though often a lot smaller and a lot thinner. I've been using hooks as the decorations are fairly heavy and so I use thick bead rods - too thick to thread directly through the holes made in the clay. (If anybody could suggest a better method I'm open to making my life easier, bending 100 pieces of wire and hanging takes a lifetime!) The wire itself is sturdy and doesn't slump, however I use a white stoneware body, decorated and transparently glazed. After a stoneware glaze firing (I glaze to 1250) I have what I can only describe as green burn marks above the area where I've cut the hole, right where the wire sits, though the wire does not touch the piece. I thought it might be the wire getting old, it can become quite black and brittle after several firings. However after replacing it with new wire I have the same problem on the first firing. I can't remember it being a problem I've always had, and I've tried several different clays recently in a sampling run - it's happened with all of them, so just trying to rule things out. It's ruining what would otherwise be completely saleable work and I'm totally confused! I really hope I'm missing something obvious here; can anybody shed some light please!?
  16. From the album: Wood Fired Work

    © Lori Rollason

  17. From the album: Wood Fired Work

    © Lori Rollason

  18. From the album: Wood Fired Work

    © Lori Rollason

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