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  1. From the album: Slip Cast Dinner and Bakeware

    © Copyright 2015 Giselle Massey, all rights reserved

  2. From the album: Slip Cast Dinner and Bakeware

    Pie plate slip cast in white stoneware from Laguna. I painted three coats of Moroccan Sand slip on the inside and bottom of the plate. I carved an intricate design of leaves and vines around the bride and groom's initials and wedding date to show the white clay underneath the taupe clay. This was glazed in clear.

    © Copyright 2015 Giselle Massey, all rights reserved

  3. From the album: Tornado Pot Sketches and Progress Images

    The Wicked Witch Is Dead This project was created as part of the Ceramic Arts Community forum: Community Challenge #2. The tornado implies form is the actual container intended for a plant. The entire work was thrown in three parts: the base/bowl, an angle tube/pipe, and the larger container. The small building and leg appendages were hand formed and attached prior to bisque firing. Finished height of the glazed piece is approximately 17".
  4. From the album: 2015 Sgraffito

    © 2015, Carolyn Bernard Young

  5. From the album: Tornado Pot Sketches and Progress Images

    The Fujita scale is a measure of a tornado's intensity based upon the amount of destruction it causes...or how much it eats. Having experienced the destruction, first hand, of an F2 glancing off my home, it wasn't difficult to put a face on the monster that caused destruction in my neighborhood. Only now, new things grow from where the damage occured...thus a container for a plant with the form of the dark cloud of demolition impressed into the side.

    © Copyright 2015 - Paul M. Chenoweth, Nashville, TN. All Rights Reserved.

  6. From the album: 2015 Sgraffito

    Wheel-thrown bowl with undulating edge, depicting Choctaw ponies running free in the Oklahoma mountains.

    © 2015, Carolyn Bernard Young

  7. From the album: 2015 Sgraffito

    Lidded jar depicting Choctaw woman collecting bark for medicine tea.

    © 2015, Carolyn Bernard Young

  8. LeeU

    Spoon Rest

    From the album: LeeU 6-15 Single Fire 1

    Spoon rest-Morgan body
  9. LeeU

    Bowl

    From the album: LeeU 6-15 Single Fire 1

    Laguna's Dark Ultramarine on white w/sand, altered rim
  10. LeeU

    Small Tray

    From the album: LeeU 6-15 Single Fire 1

    Gray Vashon body and Laguna's Alfred Blue
  11. LeeU

    Small Bowl

    From the album: LeeU 6-15 Single Fire 1

    Laguna White w/Sand and Coyote clear
  12. From the album: Tornado Pot Sketches and Progress Images

    For those who have been following along with the drama of making "F3 - The Wizard of Oz" tornado container, this second version survived the bisque firing and awaits detailing with underglaze and glazing...hopefully, a single glaze firing and perhaps a single decal firing. Read more about this project and projects by other artists in the Ceramic Arts Community Forum - "Community Challenge #2".
  13. From the album: Work in Progress

    Playing around with different slip designs for my favorite from my set of vintage dinnerware.

    © Giselle Massey, Giselle No. 5 Handmade, all rights reserved

  14. From the album: Tornado Pot Sketches and Progress Images

    I understand that tornadoes are measured on the Fujita Scale (not to be confused with a Fajita's impact on my scales) and ranked by the intensity of the destruction to human-built structures and vegetation...basically, 'how much the tornado Eats". This information is the inspiration for "EF-3 The Eater", a planter with facial features, including a tongue that has snatched a small structure like a lizard might catch a bug. And yes, this one is a little creepy...even for me This container (greenware) stands 19" tall and is contructed of three separate, wheel-thrown pieces. The upper-most pi

    © Copyright 2015 Paul M. Chenoweth - Nashville, TN USA. All rights reserved.

  15. From the album: Wheel Thrown Work, 2015

    The holder on the left was done all in white clay and slip. The mountain design was washed with iron oxide and received only one coat of the glaze I used on the rest of the piece. The holder on the right has mountains painted on in a Hawaiian Red slip, and otherwise received the same glaze and treatment. I like them both. I was hoping to find an alternative to the iron oxide wash, which can be a mess.

    © Copyright Giselle Massey 2015, all rights reserved

  16. From the album: Wheel Thrown Work, 2015

    This was my first attempt at "production" (making three of the same size and shape). There is some variation but they turned out clearly a matching set! I was quite pleased. The inside was painted with a creamy yellow engobe before bisque firing, and the outside was decorated with the same engobe and coated with clear before the final firing. I wanted to see if the engobe would end up different colors but it didn't change a bit.

    © Copyright Giselle Massey 2015, all rights reserved

  17. From the album: Tornado Pot Sketches and Progress Images

    Version Two (EF-2) of the Tornado Planter has just started a long drying phase. With the help of Photoshop, I shaded out the messy studio so the planter is a little lot easier to see. This one is about 4" taller than the previous effort and the legs of the Wicked Witch are a little larger as well. The container is three wheel-thrown pieces assembled together with the addition of the 2 hand-built legs and 7 building parts. The entire work is stoneware and roughly 21" tall at the greenware stage.

    © Copyright 2015 by Paul M. Chenoweth, Nashville, Tennessee USA. All rights reserved.

  18. From the album: Tornado Pot Sketches and Progress Images

    I slipped this container into a tall spot in the kiln at the last minute to see how my glazes break over the undulating walls. Actually, I really needed the pot for the Anthurium that I received as a birthday gift back in January...it was quite root bound and begging for better living conditions. Container is about 13" tall, stoneware, fired to cone 10 reduction and glazed with a combination of Ohio White, Woo's Blue, and Clear (sprayed on in overlapping layers).

    © Copyright 2015, Paul M. Chenoweth, Nashville, TN. All rights reserved.

  19. From the album: Tornado Pot Sketches and Progress Images

    This sketch started out far too tall..so, intentional extreme stretching as I formed the ridges weakened the side walls to allow them to slump. It may be too short once dried, bisqued, and glazed but I've decided to hang onto it. Note: It is about 11" tall at the greenware stage. There was a time when something like this would have been slop bucket fodder...now, I'm kinda linking the looseness of the form and THAT is a stretch for me (just hoping I don't slump due to all this stretching *grin*)

    © Copyright 2015, Paul M. Chenoweth, Nashville, TN. All rights reserved.

  20. GiselleNo5

    MG 3601

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  21. GiselleNo5

    MG 3595

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  22. GiselleNo5

    MG 3591

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in Moroccan Sand slip, then decorated with white slip trailing.

    © Giselle Massey, Giselle No. 5 Handmade 2014

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