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Found 166 results

  1. From the album: Custom Mugs and Commission Concepts

    This is a 12oz-14oz. stoneware mug with a piano/keyboard theme. The rim is wheel thrown and re-assembled into a hand-built, slab-constructed base that has been stamped and stretched/altered. Handle is pulled and attached after the rim is in-place and black keys have been cut from a slab and attached/scored & slipped. Interior and rim is glazed with Woo's Blue. Exterior parts are brushed-on Amaco Velvet underglaze sprayed with a couple of light coats of clear. Mug is fired to Cone 10 reduction.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  2. From the album: Custom Mugs and Commission Concepts

    This is a 14oz-16oz wheel-thrown, stoneware mug with slab-built (black only) keys attached to a carved/altered keyboard design. The handle idea is NOT original but borrowed/copied/altered from another artist's project. When I find the name, I will certainly give proper attribution. Interior is glazed with Woo's Blue. Exterior details are black and white, brushed-on, Amaco Velvet underglazes with a top coating of clear. This is a concept mug for a commissioned gift project that is currently underway. The basic form and structure may remain the same but the color scheme for the actual project will be altered considerably.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  3. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  4. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  5. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  6. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  7. From the album: Custom Mugs and Commission Concepts

    This is a 12oz-14oz. stoneware mug with a piano/keyboard theme. The rim is wheel thrown and re-assembled into a hand-built, slab-constructed base that has been stamped and stretched/altered. Handle is pulled and attached after the rim is in-place and black keys have been cut from a slab and attached/scored & slipped. Interior and rim is glazed with Woo's Blue. Exterior parts are brushed-on Amaco Velvet underglaze sprayed with a couple of light coats of clear. Mug is fired to Cone 10 reduction. This is a concept mug, developed for Nashville's music scene and various associated festivals. The design includes the possibility of a custom name imprint along the top edge of the slab construction. Estimated retail would be around $60.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  8. From the album: Pottery 2016

    Wheel thrown in buff stoneware with speckles. Carved with wildflowers and grass. Underglazed with Duncan Concepts Bright Kiwi. Interior glazed with Laguna Dynasty Red or Peach Blush. Flowers in Peach Blush, Dynasty Red, and Blackberry Wine. Exterior aside from flowers left raw, although I dipped the first couple inches of the top and the handle in Laguna Clear Bright. Nicer to touch and put your mouth against.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  9. From the album: Pottery 2016

    Wheel thrown in buff stoneware with speckles. Carved with wildflowers and grass. Underglazed with Duncan Concepts Bright Kiwi. Interior glazed with Laguna Peach Blush. Flowers in Peach Blush, Dynasty Red, and Blackberry Wine. Exterior aside from flowers left raw.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  10. From the album: Pottery 2016

    White stoneware, thrown on the wheel as a "chopstick" jar and then altered into a teapot. I added the little hand-shaped flower knob. Fired at ^6 in an electric kiln. Laguna's Dynasty Red and Peach Blush, Duncan Concepts Bright Kiwi as the underglazed leaves and stems. There are some issues with it as a teapot. It's a bit thicker and more bottom heavy than I'd like. It's also smaller than I intended, only holds 16 oz. However, there are a lot of things I did right. The lid fits really nicely. The handle is comfortable for fitting all your fingers in and pouring even with the teapot full. The spout works (a couple of tiny drips but not bad at all) and the strainer works too. I tried it. So I would say this was a very useful learning experience. And I am far from unhappy with my very first teapot!

    © Giselle No. 5 Ceramics 2016, all rights reserved

  11. From the album: Ocarinas, Flutes, & Aerophones

    Fully functional ocarina/flue that plays one octave. Handbuilt stoneware, approximately 12" tall, with red iron oxide stain, Amoco Velvet underglaze, and clear glaze fired to cone 10 reduction.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  12. From the album: Ocarinas, Flutes, & Aerophones

    These three instruments represent the experimentation with building, glazing, and firing ocarinas (flutes) over the period of 2013, 2014, and 2015. The shadowbox idea is the direction I plan to take for displays, although the lighting may need some help by a minor adjustment in the box depth. Friends here on the CAC Forum might recognize the "Witch is Dead" themed piece in the middle as a spin-off of a Community Challenge project.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  13. Dears I recently made tea pots based on the old japanese houhin design. Hence it does not need a metal seeve. However, after using them some dark spots appear on the bottom side. Perhaps this is just the color of the tea slowly leaking through. I wonder if it could be an unhealthy fungus. It was fired approx 1250 degrees. For comparision, the inverted teapot on the top right of the photo does not have dark spots. Because it is glazed on the inside as well. Any experience or ideas on that? Thanks. kind regards Zustand
  14. Good Morning everyone, I'm considering moving from stoneware to earthenware and I would like your reasons for your throwing preference. Thank you and have a good Wednesday
  15. From the album: Forum Discussion Images

    This is strictly a whimsical demo experiment of taking a wheel-thrown vessel and doing several treatments on it. This one has been pinched, paddled, appended stamped, textured and converted to a pouring pot. The 'pun' is a little more sublet (for some at least).

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  16. From the album: Sketches by Paul

    Side view of the completed assembly.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  17. From the album: Sketches by Paul

    Front view of the complete assembly. Detailing steps to follow.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  18. From the album: Sketches by Paul

    Close-up of the ram's head hydra with all parts assembled. At this stage the piece will be allowed to rest until leather hard, then additional details will be carved, scraped, textured, etc.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  19. From the album: Sketches by Paul

    This is the first of the two ram horn handles attached to the hydria project. From the original sketch, the ram's head and horns were to scale as an attachment for the hydra...now, it is starting to feel a little more like a ram's head with a hydra attached. All to say, sometimes you just roll with it and see how things turn out. Some minor alteration of the belly of this pot has been done (i.e. the round form has been elongated slightly)...I'll sleep on this change before making additional alterations. The forming of the ridges on the horn does take a bit of time...probably an hour and a half, plus 2 cups of coffee . -Paul

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  20. From the album: Sketches by Paul

    The horns on this project are the side handles for a hydro-like container. If pulled like one might make a handle for a mug, the large end of the pull would be nearly 2" in diameter...and there are weight and drying issues that make that a poor option. In this instance, the horns started as a 1.5 pound lump of clay pulled over a wooden tool that is sold/marketed as a spout maker. Once the basic form/thickness is established on the spout maker, there is a small amount of traditional pulling involved before forming the twist on the horn.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  21. From the album: Sketches by Paul

    Realizing that the greenware portions of the container will all of the assembled parts will weight 12-14 pounds, I changed the plans for the base to be more than just stocky feet. This will dry slowly over night since the wheel thrown pieces and the hand built feet are at different degrees of dryness. All together, the bas will have to be quite dry before assembling the top to the base.

    © Copyright 2016 - Paul Chenoweth - Nashville, TN USA - All rights reserved.

  22. From the album: Sketches by Paul

    Upper parts of the hydria are starting to come together. The container is just over 18" tall at this stage and was wheel thrown in two parts, assembled on the wheel, allowed to dry for a few hours and then given the final shaping/neck-forming. With the addition of the footed-base, the greenware will stand just under 24" tall...that cannon happen until the base is hardened sufficiently to hold the weight of the upper portions.

    © Copyright 2016 - Paul Chenoweth - Nashville, TN - All rights reserved.

  23. From the album: Wheel Thrown Work, 2015

    Moroccan Sand clay from Laguna with carved modern leaves. I applied white stoneware slip inlay and glazed the interior in their Navy Blue.

    © Copyright Giselle No. 5 Ceramics (Giselle Massey) 2015, all rights reserved

  24. Hi, My very old small top loader has finally given up on me and I am looking at buying a second hand replacement. I've been looking at a cromartie hobby tech 40 with a sitter, and the seller says it will fire to 1260 cone 7-8 I use, on 13amp plug, but I've seen someone else blog that working it out technically such a kiln will never reach stoneware. Can anyone advise me whether this kiln will really reach stoneware regularly, it's all I fire to? Or whether the person is correct and it is a theoretical temperature of 1300 that is achievable but not what will happen in the real world. I don't want to buy a white elephant. Thanks
  25. GA_Clayman67

    Bowl

    From the album: Glaze Combinations

    Cone 6 firing - base glaze is Amaco Ancient Jasper with 3 coats of Coyote Red/Gold on the exterior and interior rims. Clay is Laguna BMix5

    © Whistle Tree Pottery - Ellijay, GA 2015

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