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  1. Introduction of SAS Formulation - hypothesis The industry standard has been formulation based on particle size distribution (PSD), which includes density packing. The Zameck article proposed formulation based on the PSD principle; which included emphasis on density packing. However, particle size is a measurement that only determines the plane (face) of a particle, but does not include the depth. A sugar cube represents a perfectly square particle: which has the same plane and depth equal. Clays however can have the same particle size on the face, but vary widely in depth. So a large grain
  2. From the album: Custom Mugs and Commission Concepts

    I have my share of commercially produced stamps (particularly logos and finely detailed items), but I still enjoy sitting in an easy chair with my feet-up and carving clay stamps to be used on various projects. It is an exercise of patience for me and a learning experience to be aware of when the clay tells me that its OK to carve/cut/trim. I've wondered before if an exhibit of clay artist's bisque stamps might be a fun thing to organize.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, Tennessee USA - All rights reserved.

  3. From the album: Forum Discussion Images

    This is the second "House Wine" vessel that I made. This time, underglaze transfers were added in an effort to build more depth to the surface. These are fun to make but seem to require a good bit of time on the workbench. This one is headed for a November show.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA. All right reserved.

  4. From the album: Forum Discussion Images

    This is a close-up of the lid/stopper for the "House Wine" vessel. I like sneaking in some detail work on areas that don't show when the top is in place.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA. All right reserved.

  5. From the album: Custom Mugs and Commission Concepts

    Handbuilt stoneware mugs, approximately 12oz capacity, fired cone10. Surface treatment includes 3-d dwelling, carved-out hillside community, and underglaze image transfers. The transfers are new to me...using a CriCut Explore to create silkscreen masks through which thickened underglaze is printed onto rice paper. Once dried, the surface of the mug is coated in underglaze, the transfer is sprayed until saturated, and then pressed/burnished (with pint side to the mug) onto the bisque fired surface. I'm not yet comfortable enough with this technique to try it on greenware but it should work

    © Copyright 2016 - Paul M. Chenoweth, Nashville, Tennessee USA. All rights reserved.

  6. From the album: Custom Mugs and Commission Concepts

    Handbuilt stoneware mug, approximately 12oz capacity, fired cone10. Surface treatment includes 3-d dwelling, carved-out hillside community, and underglaze image transfers. The transfers are new to me...using a CriCut Explore to create silkscreen masks through which thickened underglaze is printed onto rice paper. Once dried, the surface of the mug is coated in underglaze, the transfer is sprayed until saturated, and then pressed/burnished (with pint side to the mug) onto the bisque fired surface. I'm not yet comfortable enough with this technique to try it on greenware but it should work e

    © Copyright 2016 - Paul M. Chenoweth, Nashville, Tennessee USA. All rights reserved.

  7. From the album: Custom Mugs and Commission Concepts

    Handbuilt stoneware mugs, approximately 12oz capacity, fired cone10. Surface treatment includes 3-d dwelling, carved-out hillside community, and underglaze image transfers. The transfers are new to me...using a CriCut Explore to create silkscreen masks through which thickened underglaze is printed onto rice paper. Once dried, the surface of the mug is coated in underglaze, the transfer is sprayed until saturated, and then pressed/burnished (with pint side to the mug) onto the bisque fired surface. I'm not yet comfortable enough with this technique to try it on greenware but it should work

    © Copyright 2016 - Paul M. Chenoweth, Nashville, Tennessee USA. All rights reserved.

  8. From the album: Custom Mugs and Commission Concepts

    Handbuilt stoneware mugs, approximately 12oz capacity, fired cone10. Surface treatment includes 3-d dwelling, carved-out hillside community, and underglaze image transfers. The transfers are new to me...using a CriCut Explore to create silkscreen masks through which thickened underglaze is printed onto rice paper. Once dried, the surface of the mug is coated in underglaze, the transfer is sprayed until saturated, and then pressed/burnished (with pint side to the mug) onto the bisque fired surface. I'm not yet comfortable enough with this technique to try it on greenware but it should work

    © Copyright 2016 - Paul M. Chenoweth, Nashville, Tennessee USA. All rights reserved.

  9. From the album: Ceramics Fall 2016

    Turquoise stone and white matte on a dark red clay body. I threw the foot separately and attached when leather hard. It is slightly off balance, but will look nice holding my mini hanging succulents in the garden.
  10. From the album: Custom Mugs and Commission Concepts

    A small set of hand-built mugs (slab construction) with wheel-thrown rims for family friends...both of whom are musically gifted. The orange has a look of atmospheric firing, but it is actually Amaco Velvet orange underglaze. The sheen over the underglaze is from a light coating of clear. The interior and rim were dipped in Woo's Blue. The details on the piano keys are brushed on. All of the rest of the glazing was sprayed. These are 12oz (.35ml) and stand approximately 5in. (12.7cm) tall. These were fired to Cone 10 in reduction.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA All rights reserved.

  11. From the album: Custom Mugs and Commission Concepts

    These are my prototypes for a new direction in hand-building...at least mostly hand-building. I have never been completely satisfied with the resulting rims on hand-built mugs, so I have incorporated wheel-thrown rims that feel so much better on the lips. The k-cup in the image is simply to add something appropriate for scale...and wouldn't be part of a sale *grin*. All of these are 12-14 oz. mugs and the style and production technique are very similar to the work of Sandra Blain (Thanks, Sandy!).

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA. All rights reserved.

  12. From the album: Custom Mugs and Commission Concepts

    This is a large, 3.5+ quart, mixing bowl that is part of a commission project for a retiring university dean. You might guess that the dean had something to do with the music program...and that would be correct. The bowl stands 7" tall and is a full 12" wide at the rim. The black keys were added individually to the wheel thrown piece and later brushed with Amaco Velvet underglaze. The exterior is glazed with Woo's Blue. The interior is Pete's Cranberry. A final light coat of clear was sprayed over the underglazes section for additional sheen. This is a Cone 10 reduction piece.

    © Copyright 2016 - Paul Chenoweth - Nashville, TN USA - All rights reserved.

  13. From the album: Custom Mugs and Commission Concepts

    These are the final mugs of the commissioned work for the dean of the College of Visual and Performing Arts.

    © Copyright 2016 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  14. From the album: Custom Mugs and Commission Concepts

    This is a 12oz-14oz. stoneware mug with a piano/keyboard theme. The rim is wheel thrown and re-assembled into a hand-built, slab-constructed base that has been stamped and stretched/altered. Handle is pulled and attached after the rim is in-place and black keys have been cut from a slab and attached/scored & slipped. Interior and rim is glazed with Woo's Blue. Exterior parts are brushed-on Amaco Velvet underglaze sprayed with a couple of light coats of clear. Mug is fired to Cone 10 reduction.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  15. From the album: Custom Mugs and Commission Concepts

    This is a 14oz-16oz wheel-thrown, stoneware mug with slab-built (black only) keys attached to a carved/altered keyboard design. The handle idea is NOT original but borrowed/copied/altered from another artist's project. When I find the name, I will certainly give proper attribution. Interior is glazed with Woo's Blue. Exterior details are black and white, brushed-on, Amaco Velvet underglazes with a top coating of clear. This is a concept mug for a commissioned gift project that is currently underway. The basic form and structure may remain the same but the color scheme for the actual projec

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

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