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  1. From the album: Jewels

    Blue and white porcelain pieces as a necklace with matching ring
  2. From the album: newer work

    Hand pipe in the form of a baby bird. Ash glaze over white titania glaze.
  3. From the album: narrative work

    I'm not really a cat person, but I chose to work with the basic shape because cats are far less variable in form than dogs and are thus more universally recognized, if that makes any sense. These images are developed using cut-out resists, colored slips, and sgraffito on porcelain.
  4. From the album: Jim Keffer Pottery

    Porcelain Vase 10" Fired to cone 6 Oxidation with Black Opulence Coyote Blue and Saturation Metalic
  5. From the album: newer work

    This is a one-piece water pipe, thrown in sections and joined. The visual inspiration was a kind of melding of a number of ideas.
  6. From the album: newer work

    This is a one-piece water pipe in the form of an American Bison. The glaze is my standard white titania glaze.
  7. From the album: New work

    Porcelain, ^10 reduction. Sgraffito through black slip, then color added with underglaze painting.
  8. From the album: newer work

    This is an effigy pipe, in the form of a lizard with wheels and gears. The glaze is a silky white with a pooling of warmer colors along edges.
  9. From the album: newer work

    The glaze is a silky white over pale blue slip, which breaks through the glaze to give soft delicate shades. The exterior was sprayed lightly with a blue ash glaze, which has gone transparent over the base glaze and run down to the foot in places. The interior is speckled with a blue reminiscent of a robin's egg.
  10. From the album: newer work

    This sake bottle and two cups are glazed with my silky white satin glaze, over a very pale blue and lavender slip, with faint pink veils of color. The warm coloration is more noticeable on the cups.
  11. From the album: newer work

    Another piece with sprayed-on slip and satin white.
  12. From the album: newer work

    Simple teapot, with a silky white glaze over a blue slip.
  13. From the album: newer work

    The glaze is the standard silky white crystalline glaze I've been using a lot lately. The center of the bowl was sprayed with a pale green crystalline glaze to define the texture of the fluted pattern carved lightly into the porcelain. For unknown reasons, this sprayed on glaze fumed the white rim of the bowl to an almost fluorescent pink, and crystallized pink flowed down and collected in the center of the bowl
  14. GiselleNo5

    MG 2815

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in porcelain from a vintage mold. This was my first attempt at slip casting. Close up of the glaze.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  15. GiselleNo5

    MG 2742

    From the album: Slip Cast Dinner and Bakeware

    Slip cast in porcelain from a vintage mold.

    © Giselle Massey, Giselle No. 5 Handmade 2014

  16. From the album: newer work

    My second favorite piece from the last firing, This was sprayed with a green vitreous slip, and glazed with white satin matte, followed by a spray of blue ash glaze.
  17. From the album: newer work

    This yunomi was dipped in both green and blue slips and then quickly combed to expose both. It may be excessively bright, but I like it because it's lively. Same white satin glaze.
  18. From the album: newer work

    This is probably my favorite piece from the last firing. The yunomi was sprayed with a vitreous green slip and then a more refractory lavender slip. It was glazed in my current favorite glaze, a titanium satin matte. Somehow this treatment resulted in a soft gray with tiny flecks of many colors, green, blue, lavender... and with a mysterious pink flush on one side.
  19. From the album: newer work

    These three porcelain mise en place bowls are glazed with a clear deep blue and oversprayed with an active rutile glaze. I like these because they remind me a little of salt-glazed work.
  20. From the album: newer work

    These porcelain yunomis are fluted and glazed with a pale green ash glaze on the exterior, and a clear glaze on the interior, overlaid with ash glaze a distance down from the rim.
  21. From the album: newer work

    Five mise en place bowls, celadonish glaze, in porcelain, fired to Cone 8. Approximately 5 inches in diameter and 2 inches tall.
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