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  1. Work in a shared studio with 2 other potters, been there 2 years. One potter is a lighting designer using porcelain as the shade forms and late last year she was experimenting with Keraflex but was not happy with the slight warping. Since my exhibition 3 months ago of my fine paperclay forms where the paperclay resembles translucent 'handmade paper' she asked 'polite' but enquiring questions about my process. I refused since it took me 10 years of R&D and is my signature work .... so she starts hounding me and I really said no! Now she's started experimenting based on what she sees in
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