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Found 8 results

  1. I’m on a really long and frustrating journey trying to find a glaze/clay match to avoid crazing. But why, time and time again, on YouTube and Instagram am I finding potters with high follower numbers and ‘JUST SOLD OUT ETSY RESTOCK’ posts who are advertising pots, which have clearly got crazing issues?? Is there a ‘generally accepted’ level of crazing one should expect? Is it ‘normal’ to hear your pottery ping when getting it out of the kiln then later pouring hot liquid in? I’ve been driving myself nuts, but it appears to not be as serious as I initially thought... am I wa
  2. Call for Entries: The Art Students League of Denver will be hosting delecTABLE: The Fine Art of Dining - Fifth Biennial Juried Exhibit of Functional Ceramics in April-May 2020. This is a national exhibition of ceramic works from artists across the United States chosen to represent the best in contemporary tabletop clay. The exhibit will feature ceramic works by juried artists, juror Liz Zlot Summerfield, the ASLD ceramics faculty and 'cuisine themed' two dimensional artwork by select artists. Juror: Liz Zlot Summerfield Eligibility: Open to US ceramic artists over age 18. Apply
  3. I'm in a bit of a quandary regarding saggar firing. I'd really love to try it, but here's the thing. From what I've read on internet saggar can't be used on functional ware. I've thrown a tall lidded pot and a bud vase/oil holder and I think they both would look really great with the effects of saggar. My question is - having been thrown in stoneware, bisqued to 960 deg C, how would glazing on the inside be affected by saggar firing. I know if I leave unglazed the pot can be used to store spaghetti etc ie. non porous items but the oil pot would not be food safe. If I glaze with earthenware
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