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Showing results for tags 'anagama'.
Found 53 results
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From the album: Kilns designed/constructed by John Baymore
Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.© 2014 John Baymore
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From the album: Kilns designed/constructed by John Baymore
Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.© 2014 John Baymore
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From the album: Kilns designed/constructed by John Baymore
Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.© 2014 John Baymore
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From the album: Kilns designed/constructed by John Baymore
Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.© 2014 John Baymore
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From the album: Kilns designed/constructed by John Baymore
Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.© 2014 John Baymore
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From the album: High Fire
Loaded with ash crystals from being in just the right spot in Mark Goertzen's kiln, Dante. -
From the album: High Fire
This delicious cup was fired for 96 hours in Justin Rothshank's anagama in Goshen, IN. -
From the album: Wood Fired Work
© Lori Rollason
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From the album: Wood Fired Work
© Lori Rollason
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From the album: Wood Fired Work
© Lori Rollason
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From the album: Wood Fired Work
© Lori Rollason
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Small wood fired bottle with shino glaze
lrollason posted a gallery image in Browse Member Galleries
From the album: Wood Fired Work
© LoriRollason
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Anagama Wood Firing Workshop with John Baymore April 1 – 5, 2015; Unloading on April 12, 2 015 SCER084 Sharon Arts Campus of the New Hampshire Institute of Art, Sharon, NH Come fire your ceramic work in our new anagama kiln! This past summer, we built an anagama kiln on the Sharon Arts Center campus. This past fall, we fired the kiln for the first time and achieved wonderful results. This spring we are excited to offer an immersive workshop. The Anagama Workshop is an opportunity to learn the intricacies of wood-firing through hands-on experience with a large anagama. With the guidance of master wood-fire artist, John Baymore, students will prepare, load, fire, and unload the anagama kiln. John will also lead various presentations and discussions about the process and history of wood-firing. The first two days of the workshop will focus on glazing, wadding, and loading the ware into the anagama, with consideration of the forms going in and the path of the flame during the firing. The kiln will then be fired in shifts around the clock for three days as it reaches 2400 degrees. Participants will serve on 3 shifts at various times of the firing. As the firing progresses, discussion will focus on what changes are happening in the flow of the kiln and with the ware inside. Unloading the kiln, there will be review and reflection on the results and impact of the making, stacking and firing. Participants in the Anagama Workshop will bring work to the kiln and be able to have approximately 8 square feet of ware in the firing. For those that want to have work in the anagama kiln but do not want to take the workshop, there is limited space available. If you are interested in either level of participation (the 5-day Anagama Workshop, or having work in the firing), or for detailed workshop information and costs, contact: Maureen Mills, Chairperson, NHIA Ceramic Dept., mmills@nhia.edu or (603) 836-2565. http://www.nhia.edu/assets/NHIA630CEwtr-spr15web.pdf New Hampshire Institute of Art Continuing Education Office 148 Concord Street Manchester, NH 03104-4858 -
New Hampshire Institute Of Art Anagama Build - Images
Guest posted a topic in Clay and Glaze Chemistry
Some people asked me to keep some updates here on out progress. So...... here are a couple of shots of the first two days of the build: Day One Day Two More to come in this thread. Check back every day or so if you are interested. best, .................john -
From the album: Wood Fired
This is a twice fired cup that started out as a shino cup from a cone 10 reduction kiln. It just seemed like it was lacking something special that I new it had in it, so I put it in a protected spot in the firebox of a wood fired kiln. The intense atmosphere of the fire box offered this cup a second chance to become the special one from that firing. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Embellished with bead and micro-dust glitter. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Table piece embellished with beads, jewelry findings, and micro-dust glitter.© Lee Ustinich-Two Steps Forward
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From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Looking through the box back; basis for my stylized logo© Lee Ustinich-Two Steps Forward
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From the album: LeeU 12-15 Cut and Ripped Slab Pieces
L is outside of box base; R is the inside of the lid embellished with bead. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Box top and box base -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Embellished with jewelry findings. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Embellished with bead. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Embellished with plastic mesh grid and bead. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Table piece with single edge of micro-dust glitter. -
From the album: LeeU 12-15 Cut and Ripped Slab Pieces
Table piece embellished with two beads.
