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  1. From the album: Handbuilding work

    Trinket dish with carved goldfish design. The carving was done after the piece was just past leather hard and heading to bone dry. I got a little chipping but with the design and glaze it looks pretty interesting. This is also a lesson in creating a spinner ... no footring and one of the clay supports slipped out of position when it was drying so it's a little wonky but it's on my desk!
  2. From the album: Favorites

    This vase is about 6 square. I threw it then carved grooves in the top and bottom. The grooved sections get a couple coats of black engobe because I like the way the glaze looks over the black. The middle is black engobe with paper branches then blue engobe then the paper is peeled off. It has commercial glazes and was fired to cone 6 in my electric kiln. I tried to get fancy with the picture.
  3. From the album: My nautical stuff

    another view of my nautical teapot. The top is a yo yo jar I threw in one piece without a bottom and then stacked after throwing the main body of the teapot.
  4. From the album: My nautical stuff

    another view of my nautical teapot. I threw the spout and handle and pieced them together. I got some cracks in the seams of the bottom cut out so I keep this one for decoration.
  5. firenflux

    Bell Wip

    From the album: Works in progress

    Working on this little hand bell. It's thrown and painted with blue engobe then carved. It has a bit of high temp wire shoved into the high point of the bell which I will hang the ringer from.
  6. Yoshi Fujii Seductive Elegance – Carving on Clay SF04 –Sunday, 10-4pm, July 20, 2014 Fee: $60 member/$85 non-member This 1-day workshop will introduce students to surface embellishment through carving the leather-hard surface. Yoshi will demonstrate using the potter’s wheel to create functional objects (simple cup & bowl forms) to serve as a collection point for visual inspiration. Students will explore the elegant quality of porcelain and seductive beauty possible through hand-carved pattern. Previous clay experience is required, open to hand-builders or potters. Students
  7. From the album: Fountains

    A water feature with an upper raku vessel, illuminated with multi-glaze, mosaic-style designs depicting a north American River Otter. The lower pedestal is fired at cone-six, and contains the fountain pump.
  8. Jennifer McCurdy Testing the Limits of Porcelain: Thrown, Altered and Carved Sculpture WS01 – Saturday & Sunday, 10-4pm, February 15 & 16, 2014 Fee: $200 member/$225 non-member This 2-day demonstration/discussion based workshop that will explore basic wedging, centering, and throwing techniques unique to porcelain. McCurdy will take participants through the production process of forming the cylinder followed by the technique of “dry throwingâ€, using two metal ribs to create the shape of the piece. Next, she will show her technique of altering these pieces off the wheel t
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