Jump to content

1515art

Members
  • Content Count

    572
  • Joined

  • Last visited

Everything posted by 1515art

  1. You did good keeping your cool, I had a friend here in the US ask me to make some green ware for a book he was writing about his memories growing up in China, he’s a ceramic artist but was unable to make the traditional everyday life pieces that needed to be thrown. I later found out he sold the work at auction in China and took credit for the work I did as his own, I was pissed off but let it go although you can bet it won’t happen again with him.
  2. Tx, I’m having a hard time warming up to them actually these are not glazes that I picked ou and while I think they are OK my eye wants to focus on any defect. Eventually I’ll adjust, the cream colored vessel has a nice silky texture, although I’d prefer slightly more distinct iron specks.
  3. Dh, really beautiful glaze combination it complements your forms nicely.
  4. I’ve done it many times with mostly positive results, the difficulty is getting a sufficient enough layer of new glaze material to stick to the previously glazed vetrified piece. I’ve never used hair spray although have read it can help the glaze to adheare, if the piece is small enough I’ll put it in the microwave for a minute or two that will do 2 things , heat the surface a little and neutralize some of the surface oil from things like oil transferred from skin contact. Otherwise I’ll heat it with an electric heat gun, Then work quickly while the piece is warm. Use a loaded brush, a soft
  5. The chairs do not have casters the legs have flat pads on the bottoms.
  6. I have 3 of these and Pres is right, chair height is important I’m constantly adjusting the chair height depending on what operation. I like the chair high centering for better leverage then will adjust to a lower setting throwing so its easier to watch how the clay responds to my touch and trimming I’m usually sitting low again for me personally I can have more control and can better see the tool working.
  7. Specifically, I use an old camel,back bladder it has the bag (naturally), hose, valve, a hook to hang and a snip of the mouthpiece with a diagonal cutter makes the nozzle. Holds plenty of water and you have great control over the drip. If you have access to medical supplies an iv drip works too.
  8. I really like the idea of grinding wet to eliminate dust issues, I’ll have to pick up a suitable diamond abrasive wheel, I’ve glued wet sanding disks to old throwing bats but their useful life is short. I did lapidary work many years ago and we used a flat lap that didn’t seem much different than a wheel head with a 1” lip to dress the backside of polished stones a much more involved version of Hulks method. Sometimes I’ll chuck a finished piece on my giffen grip and hang a bag of water over the wheel head to provide a steady drip of water then use a diamond burr while spinning the ceram
  9. George, thank you for the information interesting piece, I was more focused in it’s recent history how you came to own it and I’m guessing it’s been to a few experts or evaluations? You have knowledge of it and knowing some of that history will help, I’d imagine there are concerns beyond damage to just the kiln, any work being fired within the near proximity to your jar should it react unexpectedly would be in jeopardy. Another issue to consider, many copies are produced and have been for a very long time as I’m sure you are aware and it’s important to be certain of the materials used in the
  10. george, can you tell us it’s history and How you can be certain of its authenticity and origin? Im also wondering why you believe it will have more than decorative value after refiring assuming it survives?
  11. Also this site is very active with many experts in all Asian art and is open (slow response time) to all interested in Asian art no membership. https://www.asianart.com/phpforum/index.php
  12. What are your travel limitations? Firing in China? I can’t say if anyone would be interested in your piece not personally knowing enough on those works but I have many friends and connections with experts across China and can ask the question and possibly get you valuable information on the various aspects of your decision should the piece be valuable enough to generate interest and if no one cares you are probably just fine doing with it as you wish. PM me if you want me to ask clark
  13. Times were very different when I was in college back in the 1970’s the whole getting sued thing wasn’t so out of control. I lived very near my local community college and the ceramics professor gave me a key to the studio so I could help fire the kilns, two big old alpines.
  14. Hi Shawnhar, yes one piece. I do the flair collaring the clay with the fingers of my left hand and little finger and thumb from my right hand while using my right index and right middle finger to throw the rim flair all at the same time. It’s a little tricky until you get the feel, but the technique works really well making closed forms.
  15. Joseph, very nice, l think you should be pleased and I like it a lot.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.