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About LeeU

  • Rank
    Advanced Member
  • Birthday 07/14/1947

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  • Location
    New Hampshire
  • Interests
    In addition to clay, I'm interested in painting, photography, and writing. Recently retired from 30 years in behavioral health services, just getting back to enjoying and making art. I have a BFA in ceramics from VCU's School of the Arts (Virginia Commonwealth University). I recently completed setting up a small in-home studio.

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  1. OK, it's not exactly on the workbench, but it is close by Greetings of the season.
  2. PITA...too much "protective" intrusion, too many hoops to jump through, too many hints to remember, just another barrier, and doesn't seem to be necessary if a first line of defense is in place and is working well (which it seems to be for this site--but you mods need to tell us if identifying and deleting spam is actually a burden on your end--that makes a difference, of course, and I would support a (simple) second tier of authentication, in that case.
  3. I can attest that a piece with an unseen-infinitesimal, really-crack can and does leak! I happen to have made several!
  4. NO NO NO, PLEASE, in the name of all that is merciful, NO
  5. Cool....if you get the pugger can I send you my concrete hard clay to reclaim? I hate rehydrating & wedging, wedging, wedging.
  6. It's important to understand terminology as well. For instance, one does not "paint" clay, one glazes clay. And, unless you know what you are doing and why, common painting techniques (and certain brushes) do not necessarily lend themselves to the technique of applying glaze, even as illustration or line work. For example, a commercial glaze applied with a brush usually requires three coats, letting the sheen dry off between coats. Also, glaze does not usually blend like paint mediums and knowledge of how pigments work in ceramic applications is important. As Neil & Stephen noted, much of the details needed to produce decent quality slip ware will not be found in most pottery classes or courses. I would also add that if you have not built and run a business before, knowledge of planning a business planning is also essential. Another Forum here, Business, Marketing, and Accounting might be right up your ally--great place to post this type of situation/questions etc. Best wishes---don't get discouraged as you discover it's not as simple as it might appear!!
  7. Excellent point...and I am guilty not only of failure to stay updated and current, but also of not indicating that I am absolutely still active, live & kickin' and making clay objects! I need to get off my lazy bones and do something about it, or take it down.
  8. Excellent point...and I am guilty not only of failure to stay updated and current, but also of not indicating that I am absolutely still active, live & kickin' and making clay objects! I need to get off my lazy bones and do something about it, or take it down.
  9. I've been coming to this conclusion myself. For some bizarre reason, people will go to my website but seem uninterested in purchasing directly from the nicely done store. They will email me about something that is on there, which of course changes nothing except they've used more of their own time getting the same info & the same price & the same safe payment process. They buy after emailing. My own online store is as clean and clear and attractive as the Etsy format----go figure. Regardless, what most people I converse with ask me is "Are you on Etsy?" I've neglected my web presence--word of mouth is working just fine for now, but I think next year I may go ahead and do an Etsy store just to see what happens when I answer that question with "Well, yes, yes I am." On another note-I suggest taking advantage of SCORE's free workshops, webinars, and mentors. Enormously helpful. I also recommend experimenting with a free high-quality DIY web site generator like WIX (or Weebly or Wordpress etc.) to create your own website --it's a great learning experience, which helps when you go to do a store on Etsy, plus you can showcase other things, like new work, a blog, or interesting aspects of your process.
  10. Very jazzed!! I just received  an invitation to participate in a raku firing this spring. I am going to focus  on  vase-like forms (not for water-dry only).   :)

    1. JohnnyK


      Way to go Lee! By then I should have my testing done on sealants for the interior of raku pots and vases. I'm going to be trying rubber based materials like clear FlexSeal to see if I can waterproof my horsehair and other raku pieces...

    2. Min


      Good stuff Lee, way to go!

    3. LeeU


      Definitely interested in the results of the sealant.


  11. Oh---please try!! I can't conceptualize this and so much want to see whatever can be seen!
  12. Each of my work stations (for functions in the process) has its own array of most-used tools and assists placed as neatly near by as possible. I use little household bins to hold horizontals and jars for uprights, bowls/catchalls for sponges, hooks for hanging things, carefully chosen shelving, and planned use of spaces under tables. My clay is in 5 gal buckets set on those plant-moving things with wheels, I use carts with drawers to store smalls, labeled by category. I label everything so I can remember what's what (i.e. this shelf is bisque for glazing, that shelf is greenware etc.). I write the type of clay and cone, and type of glaze and cone, on masking tape and put that where I can see it at a glance. I try to put like items together-by size or type or function. I have such a small space and I don't tolerate mess very well, especially my own, that I just have to keep it functional or I get put off and back out when I need to press ahead. It's kind of a mental containment strategy, to keep my studio so that I can walk in and just get to work and have what I need at hand without having to search for things or clean them off first.
  13. Indeed---one of the many therapeutic aspects of whacking the heck out of clay, wet or dry!! Even taking Mr. Hammer to those failed glazed & fired pieces is quite satisfying. And for wedging, cut & slam just feels oh-so-good! Dropping slabs with force onto the floor, also. I could go on.....
  14. When I fire porcelain, in addition to the precautions re: glaze you've already mentioned, I put a bit of sand under each piece, so they can move ever so slightly and I do not leave the peep holes open, regardless of whether a fast or slow fire or during a slow cool.
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