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ChenowethArts

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Everything posted by ChenowethArts

  1. From the album: Custom Mugs and Commission Concepts

    This is a 12oz-14oz. stoneware mug with a piano/keyboard theme. The rim is wheel thrown and re-assembled into a hand-built, slab-constructed base that has been stamped and stretched/altered. Handle is pulled and attached after the rim is in-place and black keys have been cut from a slab and attached/scored & slipped. Interior and rim is glazed with Woo's Blue. Exterior parts are brushed-on Amaco Velvet underglaze sprayed with a couple of light coats of clear. Mug is fired to Cone 10 reduction.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  2. From the album: Custom Mugs and Commission Concepts

    This is a 14oz-16oz wheel-thrown, stoneware mug with slab-built (black only) keys attached to a carved/altered keyboard design. The handle idea is NOT original but borrowed/copied/altered from another artist's project. When I find the name, I will certainly give proper attribution. Interior is glazed with Woo's Blue. Exterior details are black and white, brushed-on, Amaco Velvet underglazes with a top coating of clear. This is a concept mug for a commissioned gift project that is currently underway. The basic form and structure may remain the same but the color scheme for the actual project will be altered considerably.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  3. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  4. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  5. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  6. From the album: Custom Mugs and Commission Concepts

    These two mugs are a hybrid combination of hand-built and wheel-thrown construction. The rim is the only wheel-thrown piece and is included only because I have never been quite satisfied with my efforts to hand-build rims on mugs. Unique to the stamped-on, tennis net theme are the athletic shoe & tennis ball finials to the pulled handle. The mugs are 14oz-16-oz capacity stoneware, fired Cone 10 reduction. Interior glaze is Woo's Blue. Exterior is clear, sprayed on in two light coats.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  7. From the album: Custom Mugs and Commission Concepts

    This is a 12oz-14oz. stoneware mug with a piano/keyboard theme. The rim is wheel thrown and re-assembled into a hand-built, slab-constructed base that has been stamped and stretched/altered. Handle is pulled and attached after the rim is in-place and black keys have been cut from a slab and attached/scored & slipped. Interior and rim is glazed with Woo's Blue. Exterior parts are brushed-on Amaco Velvet underglaze sprayed with a couple of light coats of clear. Mug is fired to Cone 10 reduction. This is a concept mug, developed for Nashville's music scene and various associated festivals. The design includes the possibility of a custom name imprint along the top edge of the slab construction. Estimated retail would be around $60.

    © Copyright 2017 - Paul M. Chenoweth, Nashville, TN USA - All rights reserved.

  8. New pieces do not photograph themselves *sigh*. I'll get right on that...perhaps tomorrow :)

    1. Joseph Fireborn

      Joseph Fireborn

      looking forward to it. I always enjoy your work.

    2. Denice

      Denice

      I have the same problem.

    3. Marko

      Marko

      When you finish, can ya do mine? í ½í¸€

  9. Ah, finally. A stay-cation so I can work in the studio...I hope to see the floor again after 3 days of de-crapinating the space :)

    1. Show previous comments  1 more
    2. GiselleNo5

      GiselleNo5

      It's always faster to clean that I think it will be. :) Then you'll have a wonderful place to work!

    3. glazenerd

      glazenerd

      Decrapinator? Did the Arnold star in that?

    4. ChenowethArts

      ChenowethArts

      glazenerd... yes, I believe Arnold came "bah-ck" for that :)

  10. Really dodged a bullet on this latest glaze firing...whatever low fire glaze that was accidentally included was on the interior/rim of a bowl and did little harm (except for a few not-so-interesting drips). Whew!!

    1. Marcia Selsor
    2. Benzine

      Benzine

      Were additional offerings made to the Kiln Gods, during or post firing?...

    3. Mark C.

      Mark C.

      extremely lucky

  11. That moment when the cone 10 glaze firing is well underway, you are cleaning up the glazing table, and suddenly there is an out-of-place container of low-fire glaze sitting in front of you...

    1. Show previous comments  9 more
    2. Min

      Min

      how did it turn out? we are all holding our breath

    3. Mark C.

      Mark C.

      It should never be allowed in same building -Its a hard lesson but a true one

    4. GiselleNo5

      GiselleNo5

      Mark the low fire with fluorescent paint or something! Mine are on a different shelf, I have to actively go after them.

  12. I like the idea of pulling fresh air into the studio, especially when venting a bisque firing...but let's not confuse 'fresh' with 'artic'. #Brrrr

    1. Marko

      Marko

      I'll try and push some of this 80's we're getting up your way.

    2. Joseph Fireborn

      Joseph Fireborn

      Brrr! Is right. Gonna get even colder tonight!

  13. Some half-crazed, clay-slinging, glaze spraying, slab-building, old-dude maniac has made a mess in the studio...oh wait.

    1. Benzine

      Benzine

      Call the authorities. Though, I don't know if this would be the Police, or Animal Control...

    2. ChenowethArts
    3. Denice

      Denice

      That person sneaks into my studio occasionally. He really gets around.

  14. ChenowethArts

    Ocarinas, Flutes, & Aerophones

    Mostly sculptural (but functional) ocarinas. These are built from stoneware, decorated with Amaco Velvet underglazes, lightly covered with a clear glaze, and fired Cone 10 reduction. Each plays a full octave (unless noted otherwise..no pun intended).
  15. From the album: Ocarinas, Flutes, & Aerophones

    Fully functional ocarina/flue that plays one octave. Handbuilt stoneware, approximately 12" tall, with red iron oxide stain, Amoco Velvet underglaze, and clear glaze fired to cone 10 reduction.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  16. Well executed design! And the stylized elephants make the perfect accent!
  17. From the album: Forum Discussion Images

    What happened when I ended up with two different colors of gray epoxy paint for the floor..."graphic camouflage"

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All Rights Reserved.

  18. ChenowethArts

    Sketches by Paul

    Ideas and concepts for projects that may or may not come to fruition.
  19. From the album: Sketches by Paul

    Concept sketch for Community Challenge #5...a bit of a nod to a favorite uncle who was a flatland, Indiana farmer...and what would have happened had he been a potter as well.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  20. Thanks Joseph! These pretty much stay on the wall. Sometimes a friend/visitor will ask about how they sound and I'll give a demo, but they are still fairly primitive instruments and sound a bit airy. Oddly enough, the first time I showed ocarinas like this in a gallery, a lady walked in and bought 3, saying that she could just envision a time when her grandchildren might sit around in a circle and make music using these instruments. It was also the first time I realized that there might actually be a market for these things
  21. From the album: Ocarinas, Flutes, & Aerophones

    These three instruments represent the experimentation with building, glazing, and firing ocarinas (flutes) over the period of 2013, 2014, and 2015. The shadowbox idea is the direction I plan to take for displays, although the lighting may need some help by a minor adjustment in the box depth. Friends here on the CAC Forum might recognize the "Witch is Dead" themed piece in the middle as a spin-off of a Community Challenge project.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  22. Glazing. Its what happens to people who enjoy making things but then can't always decide what those things should look like once fired :)

    1. Show previous comments  2 more
    2. GiselleNo5

      GiselleNo5

      I know how I'm going to glaze something as soon as I texture it, but I still put off glazing till I absolutely have to. I'm definitely a mud potter.

    3. Roberta12

      Roberta12

      I have a stack of bisque in the shop, awaiting glaze. I am having an indecisive moment. or two!

    4. Marko

      Marko

      I have the same thing going as Roberta12.

  23. Love this kind of phone call: "You remember that big mixing bowl you made last year with the texture on it? I want one." *headspin*

    1. Show previous comments  4 more
    2. Callie Beller Diesel

      Callie Beller Diesel

      And there's no good way of saying "I'm sorry, I don't remember you from Adam."

    3. alabama

      alabama

      I'll take the "do remember me..." over the "Hey, can I pitch a tent in yore driveway and look over your shoulder for 3 days whiles you makes and fire pottery...you won't even know I'm thar!" :)

    4. JLowes

      JLowes

      I had someone who bought a raku dog figurine call two years after the Saale and ask why I made those (I do have a story and dutifully repeated it.)

  24. I'm discovering that airbrushing with underglazes is pretty cool...having the air compressor kick-in at 4am, awakening the wife...not so much :)

    1. Show previous comments  3 more
    2. GiselleNo5
    3. ChenowethArts

      ChenowethArts

      I am OK...its just a little cold in the dog house :)

    4. GiselleNo5

      GiselleNo5

      Maybe the air compressor can keep you warm. í ½í¸‰

  25. From the album: Forum Discussion Images

    Grandson, Gus, just before his second birthday, learning how to open up centered clay on the wheel.

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

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