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  2. +1 for soaping the brush before using wax resist. Dampen the brush and work some dish soap or hand soap thoroughly into the bristles, right down to the ferrule. Try not to get it too wet or bubbly, or it's hard to point the brush. Even the crusty gross wax resist rinses nicely. I've been using the same artificial sable brush for wax and other things for about 8 years now.
  3. babs, the channels are lined with a very hard brick and pins will not go into them.
  4. If there are larger than normal gaps in the coils, you can squeeze them together with needle nose pliers.
  5. Yesterday
  6. It's important to understand terminology as well. For instance, one does not "paint" clay, one glazes clay. And, unless you know what you are doing and why, common painting techniques (and certain brushes) do not necessarily lend themselves to the technique of applying glaze, even as illustration or line work. For example, a commercial glaze applied with a brush usually requires three coats, letting the sheen dry off between coats. Also, glaze does not usually blend like paint mediums and knowledge of how pigments work in ceramic applications is important. As Neil & Stephen noted, much of the details needed to produce decent quality slip ware will not be found in most pottery classes or courses. I would also add that if you have not built and run a business before, knowledge of planning a business planning is also essential. Another Forum here, Business, Marketing, and Accounting might be right up your ally--great place to post this type of situation/questions etc. Best wishes---don't get discouraged as you discover it's not as simple as it might appear!!
  7. I'd be putting pins/ posts dont know right term on any area where they are not sitting down into the channels. A couple where they hit the beginning of the channels on coming through the wall of kiln. Also where they are looping upward away from bed of channels. And in the corners. Don't give them a chance to slip out and stretch or they will.
  8. Excellent point...and I am guilty not only of failure to stay updated and current, but also of not indicating that I am absolutely still active, live & kickin' and making clay objects! I need to get off my lazy bones and do something about it, or take it down.
  9. Excellent point...and I am guilty not only of failure to stay updated and current, but also of not indicating that I am absolutely still active, live & kickin' and making clay objects! I need to get off my lazy bones and do something about it, or take it down.
  10. Load your brush with dish washing liquid...thick stuff before dipping in the wax resist. Washes out easily.
  11. Your class may not involve a lot of technical info, so ask a lot of questions, and ask your teacher if you can help load kilns and mix glazes.
  12. The wax that Ceramic Supply Chicago sells will rinse out of brushes with just water. Awesome stuff.
  13. One other possible cause is too much glaze or using a runny glaze on the inside of the pot. Maybe when you are pouring the glaze out it is taking a while and the inside has a thicker than normal application? If the glaze is too thick at the bottom of the pot, and if the glaze doesn't shrink at the same rate as your clay body during firing, the thick glaze pooled at the foot is creating a stress crack and the sudden temperature change is causing it to fracture along the spot where the thick glaze ends and the clay wall begins.
  14. I threw a wax pot and keep the brush inside. It's just a stout closed neck bottle. As long as the brush doesn't dry out, it won't die.
  15. I feel an extruder is noit the best tool for tile.To many ways for it to warp from the barrel to the table.
  16. Plastic bats seem to cause more cracking than plaster or masonite bats. If I have to use plastic, I wire it off immediately after throwing, and flip it onto it's rim when the rim is strong enough to support itself. If the base is too soft to flip and will sag, then I transfer the plate to a board with newspaper so the base can move easier as it dries and contracts. With plaster or masonite bats, I think they wick away enough moisture from the bottom of the plate to avoid the stress from uneven drying on the rim and the foot, and I don't have to be as careful.
  17. Hi Rebekah, The type/brand of wax might matter - I'm using an emulsion type that Aardvark Clay sells. I have two brushes devoted to waxing. During a session, I'll put the brush in water between uses (so the wax doesn't congeal), and at conclusion of session, wash out with soap (Dawn or some other good grease cutter) and hot water. A toothbrush or small wire brush helps in the cleaning, and combing out the filaments as well. Reset the brush whilst wet so it's all straight for next time. There's some wax in the heel of the brushes - just about impossible to get all that out - hence I'm not using anything expensive for waxing.
  18. I have stopped signing my work for a variety of reasons. I am considering using wax resist for signature and using water etching to bring it out. Due to the nature of wax, I have had difficulty with being able to use a brush more than once. Does anybody have techniques to preserve their brushes for wax? Is it a lofty goal to expect wax to be used for writing without having to burn through 200 brushes per year? I would love more ideas on how to achieve this. Thanks!
  19. Etsy's suitability is largely related to scale, and the level of professional involvement you want to engage in. I fully agree that Etsy isn't a good choice to stay with if you're wanting to build a business that pays you an actual wage or salary. It's a poor choice to build a brand on. It is however an inexpensive place to start out on, learn with and eventually transition off of, or to have a part time presence on. Keep in mind the OP is a retiree. I'd be giving different advice to a 20 or 30 something just starting their business. Etsy is a tool, like a hammer. It's great if you need to pound some nails, but not the best for driving screws.
  20. Hey Mark, I did contact Bailey and the main take away was keeping in mind that the barrel has to be reloaded frequently for tile so there's that. I also wonder how fast it is. I haven't found a video yet and some air powered things such as jacks move pretty slowly if there's resistance and clay extruding is going to offer a lot of resistance. If you were buying this for health reasons that wouldn't matter but if speed is an issue then it makes it a lot slower than the hand lever one or the one called big blue from North Star that has a wheel. I'm coming to the conclusion that this isn't the answer for me.
  21. Ya know you have two problems, process and business. I would look for slip casting classes. While pottery classes for folks working in ceramics is a good thing it sounds like this is a slip cast business so a pottery class may have very negligible value if you are planning to keep this business going as is and may well just get you all confused about it all. You are not trying to decide on the direction to go with pottery, you want to know how to use the stuff you have. A generic pottery class would be fun and certainly dial you in on working with clay forms but slip casting is not the same thing and the class may not even cover it at all or just clip past it quickly and running electric kilns may also not be covered in any kind of depth. If I were you I would go on an information blitz, watching every you tube video I could find on slip casting and order any books you can find on amazon. You already have all the equipment so using the that information you should be able to get going. Sometimes it is good to just go at it. If she has not fired those kilns in a very long time it might make sense to have a kiln person or at least an electrician check them out for safety before you start using them. Has the business been running right up until now? I mean are clients expecting delivery of products or is just just a case where she had run this business in the past so all of the equipment is still there? You mentioned a Christmas tree mold but it's mid October so unless you are planning to man a booth at some Xmas shows Xmas buying by businesses I think is long over unless she has some orders already. Good luck!
  22. I have seen that bailey extruder at a studio near SF but have no info on its use.I would call Bailey and talk story.
  23. (Would there be any difference between using this and a slip made from the white stoneware clay?) slip made from the same clay you are using fits the body perfectly and will always be the best and cuase the least issues.
  24. Thanks guys! Yeah the presses are great but not so much for field tile. We are adding a small arbor one this week to get away from the mallet pressing. For field tile I use a flip over air release mold for 4" and get about 20 an hour when everything is said and done and they are ready to bisque. To do 6" inch one that way I would have to buy another frame and just find I am not really interested in continuing using molds (even air release) for field tiles. There are a number of pretty expensive solutions (Baily's, RAM and Peter Pugger all sell several) but not going there either. Just a small shop and buying one of these expensive options will sap so much profit out of things for so long into the future that just not interested. They also kind of diminish the hand made aspect of selling an expensive are tile installation. It is part of the backstory so getting too mechanized I think does matter. This week I am going back to the slab roller for all sizes and really eval that again. I have some plunger type clay cutters for 4" & 6" tiles and I am going to see what my finished hourly output is. If I could get it closer to 50 tiles an hour working at a normal steady pace I would be really happy.
  25. Ya know that might be right on but then you are driving your customers to a large platform with lots and lots of cheap imported machine alternatives to what you sell. I can't really wrap my head around that being a good thing to do. I did set up a store last year one rainy Sunday with bank accounts and such and a few products loaded and a link from my site to it but having trouble getting motivated to load more. Everyone seems to talk about a perceived value of having a store there but no one these days seems to ever talk about making any money from it. Lee if you're wondering it really is just a few hours or less process to get it all setup. Since you sell on your regular site you can just use the same pictures and blurps. They do charge though per product so to have 40-50 items up is like paying for another website. edit: when I say no one and everybody I am talking about potters. I get that a bunch of people make money on etsy.
  26. Hi, thanks everyone. In answer to your questions: 1. Firing to 1240 2. Oxidation in electric kiln 3. G72150 multi-purpose stoneware transparent glaze, firing range 1200 - 1290 4a. I first used Mason Peacock 6266 at 8% (with the china clay/ ball clay slip - oh, also with a little feldspar potash, recommended by the supplier) This resulted in a very dark blue - could I rectify this by just diluting it with more of the ball/china/little bit of potash clay slip? 4b. Then I used Mason Deep Turquoise 6315 at 8% (with the more complicated slip) I was advised to add the feldspar potash and the silica by the supplier that I bought the stains from, but it resulted in a very washed out anaemic blue instead of the deep turquoise. I imagine I should just forget about the complicated slip? Am I still ok using the ball clay/china clay/little bit of potash slip with the stoneware (I have mixed up quite a bit)? Would there be any difference between using this and a slip made from the white stoneware clay? I'm after a pure colour, as shown on the Mason stains chart. Thanks again!
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