I was looking through many Mishima techniques and have noticed 2 camps.
The first camp incises a leather hard piece, paints the lines with underglaze, allows the piece to dry, then scrapes off the excess undergalze.
The second camp applies wax resist to the heather hard piece, then incises through the wax, followed by painting the lines with undergaze, then wipes off the excess.
Is one the original technique while the other an adaptation?
Are there other ways to do this technique? If so, What are they?