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Idaho Potter

Member Since 26 Aug 2010
Offline Last Active Yesterday, 05:35 PM

Posts I've Made

In Topic: How Would You Describe This Figure?

24 July 2014 - 07:54 PM

  I missed it the first time around, but am intrigued by it.  With all the ceramic sculpture "creatures" being made today, this doesn't come anywhere close to being disturbing.  If Picasso had been working with clay during his blue or pink period, he would have done something similar.  I don't think it was done by a beginner because there are too many refinements to the clothing and the finishing touches on the stockings.  As to the small hands, I've been sculpting for over 40 years, and most people make hands & feet too small in proportion to the rest of the figure.  The main reason for this is because we observe the hands and feet moving or gesturing, so when they are still, the artist has to make the feet or hands larger than what their sense of measure would have them be.  Even if you measured the size of a hand in relationship to the size of face/head, you would have to increase the hand's size to satisfy the viewer's eye.


Check out some of Rodin's or Michaelangelo's sculptures.


Oh, yes, I find the Saturday Night Live character very disturbing.




I second Babs question.  What happened to the figurine?

In Topic: Raku - Leaving Pots In Kiln

24 July 2014 - 06:38 PM

I agree with all comments/replies to your question.  To me the most important part of raku is the post-firing reduction.  As Marcia said, a copper based glaze can give you so many iridescent  colors and luster if the pot is removed from the kiln and placed in the reduction can.  If you want to let it cool gradually, do it in the reduction can with the lid tight  so the glaze doesn't re-oxidized--'cause then you'd just have a green pot.


Also, try under-firing and/or over-firing to get different effects with the same glaze.  What a difference of two minutes either way can make in the outcome.


So, if you don't like the outcome, just re-fire (maybe even layer on a different glaze) raku is fun and surprising, so enjoy it.

In Topic: Does Your Dominant Hand Dictate Form Or Are You Ambidextrous.

19 July 2014 - 07:43 PM

Right hand outside left inside, wheel turning counter-clockwise.  Until I had a 14 year old student who could not handle those positions.  Spent several hours teaching myself to throw left hand outside, right hand inside, wheel turning clockwise.


 For the most part my left hand & arm are just there for balance when walking. Although when right hand was out of commission for most of a year, the left hand signed checks for bills.  The signature was on a par with fourth grade attempts at cursive writing.  The bank didn't care.



In Topic: Aesthetically Pleasing Garments For Clay Workers.

19 July 2014 - 07:20 PM

Thrift stores frequently have sweats for sale cheap.  I've bought a couple pairs and altered them slightly.  Waist band intact, cut off back side (butt & legs EXCEPT a two inch strip for behind the knee, and the cuff or elastic at the ankle).  These fit well over jeans, shorts (indoor or outdoor) or anything else you wear (or not).  Let them dry and next time you throw take them outside and scrunch up the thick clay areas and start throwing.



In Topic: Where To Start With Wheel Newbies?

19 July 2014 - 07:02 PM

I am stumped!  Why would you encourage him to buy a wheel?  Surely, he needs months--not days--of practice before considering the purchase of a wheel.  If it turns out he's prolific in throwing on the wheel, where is he going to fire the pots he produces?  Are you going to do it for him?  I am always astounded at the number of people who immediately run out to buy a wheel, before considering the purchase of a kiln.  A kiln is far more important to establishing yourself as a potter.  Handbuilding, tiles, sculpture can be produced in clay, but until the objects are fired, it is still mud (dried).  Permanency means a kiln.  As a friend, you owe him the information needed to fulfill his desire to work in ceramics.  Give the lessons, but temper his enthusiasm with reality, or prepare yourself to fire his work with yours or instead of yours.


my two cents,  Shirley