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Member Since 04 Jun 2010
Offline Last Active Dec 04 2015 11:45 PM

#60285 What Good Suggestion?

Posted by Marian65 on 08 June 2014 - 01:03 PM

I've just read through this thread and it seems appropriate for me to add my experience from yesterday at a small-town festival.  I'd debated whether even to show up or not, but almost last minute decided to go ahead and do it for the experience.  I had three sales that all happened just before a storm cell hit and I packed up ditched the remainder of the day.  I sold one mug and two sponge holders, $12 each.  The space cost $10 and my husband and I shared three shave ices from the space next to me and I bought books from two authors in a writer's group I go to who were on the other side of me.  There were lots of vendors, a lot of trinkets.  One trinket vendor had a big, heavy cash register to use for her sales. 


While unloading my ware, I noticed that I'd left three boxes in my studio.  Since the boxes contained covered casseroles and my more pricey items, I decided not to bother husband with going back home to get them, but went with what I had and that all seemed appropriate for the day.  I love chatting with people who like/love pottery and I made a lot of good contacts for other things/other places and mentioned to several about the next venue which is a dedicated Craft Fest in two weeks.  I'm almost sure i'll see most of them again.  Whether they buy or not ... who knows. 


I was approached by a promoter who handed me a tri-fold color brochure about two conference centers near Fayetteville, Arkansas and excitedly told me about the thousands of people who attend and stories about some vendors who sell out (not pottery) the first day of a two day event, and on and on.  Then he mentioned the fees.  $1,500 and $1,800!  I'd have to make stuff for a year to get enough to try to recoup the fee and expenses for a weekend.  I just can't think in relation to my pottery and those figures. 


Every show/festival I attend (single digits so far) have lots of people asking me if I teach and expressing the desire to learn, accompanied with their individual stories of any past experience.  I love teaching beginning classes and intermediate and a few more advanced techniques in hand-building, but I'm not set up to teach from my studio. 


One man couldn't find a price on a bowl he liked, so I turned over the tag and when he saw $25, he left and was about 50 feet away by the time I got the bowl back on the table!  I will do that event next year just to help the tiny town and because it's fun, but I'll only take mugs, lots of them, some ring holders, sponge holders, and smaller things and I plan to make a folio in a three-ring binder to showcase my bigger/better ware for anyone who cares. 


Oh, and in addition to all the dogs in attendance, I got to host and pet a 24" tall horse in my booth.  Along with the experience of helping my husband and another guy hold down our canopy during the storm, the horse was probably the highlight of my day!  If I had to depend on pottery for a living, I'd starve quickly ... but I'd have a great time!


I agree with all of you who advise to match ware to the potential types of people in attendance and if you want to become known for your pottery, don't mix up woodworking and other things into your pottery displays.  I'd get another space for that or just not take pottery.  I think we should promote our chosen craft by itself so we can build the idea of quality (or humor, or cheap sales, or whatever it is you're looking to do), and not have our public relating our best work with other things, no matter whether it's pottery or wood carving or jewelry making.


That's more like ten-cents-worth, but since it's a discussion, hope you don't mind.

#60282 Outdoor Fairs And Weather

Posted by Marian65 on 08 June 2014 - 12:24 PM

Wow, some of the stories you have!  Here's follow-up to this subject:  I awoke early Saturday and decided to do the festival after all.  The beginning of the day was wonderful.  Perfect.  Loads of people, vendors, and activities.  Then at 1:30 the storm hit.  My husband and a man whose family was in under our canopy looking at the pottery at the time, held onto the windward edge of our canopy.  Husband had it anchored well and weighted with dive weights, but the wind was storm strength and several people went chasing after their lighter-weight tents.  The two men and I hung onto the edge and took the rain face-on until the cell passed, about 15 minutes, I guess.  We started packing up after that and were gone by the time the sun came back out around 2:30.  All the vessels on one table were about half full of water so they had to be dumped and dried before repacking and I'll have to attach new tags to all that.  I use special tags that I pay for from the printer and then have to hand cut them because of their shape.  Very mild story compared to some of yours, but I'm happy I went and I enjoyed the people as usual.  My husband had a good time, too, so I guess I literally got my feet wet (along with the rest of me).  Thanks again for all your responses.

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#57227 Incentives To Shoppers?

Posted by Marian65 on 23 April 2014 - 07:41 PM

I don't sell enough probably to warrant this little contribution, but I've been thinking about the same thing as I'm just beginning to do some craft fairs and such in my area.  I sometimes make little mice out of scrap clay that I call Scrappies (not very original).  They sell for $3.50 in a couple shops.   I've been thinking about offering one for free with a purchase more than $25, or a ring keeper (sells for $7.50) for more than $50, etc.  If you came up with something that reflects your potting personality and that you wouldn't mind giving away, that would be better than unrelated things.  You know your market better than I, so that might not be a good suggestion for you.  What about small clay pendants with your signature or logo stamped on, and a hole punched in to tie a colored ribbon for a book mark?  Easy and inexpensive. 

#57219 What To Make?

Posted by Marian65 on 23 April 2014 - 07:13 PM

Would someone like to create a new topic for all the crap discussion?  The person asked a pottery question and it's just got out of control.  I'd rather not unsubscribe to stop getting the cute quips, but I'd much prefer to read comments that are addressed to the topic question.  Thanks!

#55653 Seeking Advice For Making Small Stands/legs For Eggs

Posted by Marian65 on 28 March 2014 - 05:20 PM

Thanks, MREGECKO,  I really like that idea.  Much easier than trying to get three things alike by hand forming.  I can visualize all sorts of different shapes to the tube so that the "legs" are different on each stand. 

#30414 Review of Clay: A Studio Handbook by Vince Pitelka

Posted by Marian65 on 06 March 2013 - 03:03 PM

I recently ordered this book from Ceramic Arts Daily. I'm not sure where else to post the review, but I would like other potential buyers to read my comments.

When my copy of this book arrived and I first thumbed through it I was a little discouraged because I saw that it contained much the same information as my existing library of pottery books. However, after I sat down with it I discovered in the first couple minutes that it is the most comprehensive and informative pottery book I own. Mr. Pitelka goes into detail about so many aspects of the pottery studio that most of the other books only touch on, it's almost like having a more experienced friend available to answer questions when you run across a problem. He uses language that everyone should be able to understand. I'm not a professional and don't have a college degree as a ceramist, but I have many years of experience. Now that I am filling my retirement years with producing pottery for local markets, I see the value of having had this book for reference a long time ago. Whether you're starting out or well into your exploration of clay, I think this should be the primary book in your library of reference material.

I usually look at the pictures in my other pottery books rather than reading the text because there seems to be the same thread of information. I've read all the parts of this handbook that pertain to me two or three times and then explored some of the sections in which I have no experience or need, just because there may be some comments that are pertinent.

I think this is a reference that you'll not keep pristine on the shelf, but stain it with food crumbs, beverages, and muddy finger prints, and capture pet hair between the pages. Use it as it was meant to be used and refer to it as much as you need to. Oh, and he offers us alternatives to buying a lot of tools and things from commercial suppliers, giving us tips, suggestions, and instructions on how we can build/make our own whatevers. It's quite obvious that a lot of thought and good communication went into the production of this volume of experience.
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#10252 What are you worst at as a potter? | Nov. 14, 2011

Posted by Marian65 on 16 November 2011 - 01:42 PM

[quote name='Chris Campbell' date='14 November 2011 - 11:17 AM' timestamp='1321291031' post='10210']
We all know the areas of pottery that we are not good at .... we'll clean our studios, organize shelves ...
we'll even find any excuse to leave the house so we don't have to do it right away.
Sometimes we'll admit to needing to take time to practice or "read up on it" but in our hearts we really don't want to.

What are you worst at as a potter?

I dislike reworking clay. I'm very frugal with everything, even clay, so I collect my trimmings and flubs and eventually have to deal with them when my containers get full. I need to modify my attitude and just do it, but sometimes clay sits in buckets for months and months before I grab some energy one day and start the rework process.