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clay lover

Member Since 08 Apr 2010
Offline Last Active Today, 06:52 PM

#67689 Cutting Off The Hump

Posted by clay lover on 13 October 2014 - 07:50 AM

My mouth is hanging open..........

And that clay, what is it?

#66851 What Is The Best Book In Your Pottery Library?

Posted by clay lover on 29 September 2014 - 09:57 AM

I have them both and they are the most helpful books I own.  Had my wheel class get her throwing book, it illustrates the hand positions perfectly, step by step.

#66802 What Is Causing The Black Zits In My Glaze?

Posted by clay lover on 28 September 2014 - 12:33 PM

I have had the 'smarter than I am'  phone for 3 days. :unsure:  I will try to do this.  Thanks


This glaze looks best on heavy texture, I think,  most of the colors seems to show up in the thicker, thinner breaks in design.  If I'm planning on using it, I put in definite ridges  and also at the foot, to slow the run.

The reds seems to show up mostly on flat textured pieces. Where it sheets or pools on flat smooth clay, it shows up as a grey greenish more dull color, not what I like.

#66795 My First Show!

Posted by clay lover on 28 September 2014 - 07:20 AM

I am eager to hear back from her, do you all feel like we are sending our her out with our blessings to conquer the world? :)

#66671 My First Show!

Posted by clay lover on 26 September 2014 - 01:44 PM

I think the plaid fabric detracts from the pots, do you have more of the off white?  Also, just some simple blocks of 4x4's to elevate some of the pieces on the flat tables will help.  If you have used same glazes on several pots, grouping them together will give a unified look .   If you have plates or shallow bowls, a plate stand will enhance their look. Have a good time, take food and Tylenol  , and keep smiling!  Let us know how it works out.  Good luck. :) 

#66444 Learning To Use Colored Slip...help

Posted by clay lover on 20 September 2014 - 09:13 PM

For simplicity, I use 1 tsp. colorant oxide to 1 pint of slip, thinned just to where it settles flat after stirring.  It is simple to adjust that if the fired results aren't the intensity you want.  With Mason stains, the shade is the same as the stain.  "Tres Simple"

#66404 How Many "hand Builders" Here?

Posted by clay lover on 20 September 2014 - 07:10 AM

I do both, switching from one to the other as my inspirations change what I want to make, or as I get low on one item or another in my sales inventory. Which ever I am doing, I think it is my favorite until I switch, then the  other is my 'favorite'.


Adding, I switch when my hands or body tells me I need to change what I am doing.

#65274 Tips & Tricks

Posted by clay lover on 28 August 2014 - 09:13 AM

My bottoms are very smooth, I'm always inviting people to fee it, er B), them.

#64913 Do You Donate Your Work For A Worthy Cause?

Posted by clay lover on 22 August 2014 - 03:34 PM

I donate to E.B.  and my students make bowls for that, but other than that, exactly what Chris says.^^^ 

As for charity auctions, that just tells people that they can get my work for a small donation.  I think it devalues the artist.  As for the Women's Charity Golf  event, do you call them and ask then to donate a club membership to you?   Same think, I think.


The article I saw on this topic is on Carter Gillies Pottery, titled, "The exposure you get is that you are willing to work for free".  We have a hard enough time getting respect for what we do, after all, we just 'play in clay' all day, don't we.  Got to go, my feet are aching from playing all day, loading 3 kilns...

#64884 Loafers Glory

Posted by clay lover on 22 August 2014 - 06:49 AM

I believe it is the name of a small MT. community near Highwater Clay.  They also make a ^6 called Little Loafers.

#64496 Another Sales Technique ... Maybe?

Posted by clay lover on 15 August 2014 - 12:53 PM

I don't know, I have always operated on , ' I have to get them to hold it, before I can get them to buy it."  They're  sure not going to buy it if they don't pick it up. 

#63897 If You Could Have Only One Piece Of Art On Display In Your Home What Piece Wo...

Posted by clay lover on 05 August 2014 - 07:26 AM

I was thinking one of those perfect little ovoid  bottles  of Otto Hino's that seem to be alive when you cup them in your hands.  

#63823 "throwing With The Eye Of The Clay" - Do You?

Posted by clay lover on 04 August 2014 - 08:56 AM

I came across an article in an OLD CM, May 87-Jeffery Werbock,  with this idea. It is presented as a Korean technique.  Are you familiar with it?  When I read it, I thought about my question some time back about throwing orientation of pugged clay and s cracks from the spiral in the pug.

Wouldn't this 'eye of the clay' approach have the same issue?   I was taught to put even small hand wedged pieces on the bat with the spiral cross wise so as to minimize s cracks. 

This article talks about using spiral wedging to create the spiral and how coning up and pushing the clay to one side when coning down will increase the twist in the clay, to your benefit.  The idea is that it is easier to open and throw because you are working with the spiral.  The focus of the article was throwing large.  The potter in the illustrations opened the tall slender lump of clay with his fist, going into the clay elbow deep. The first pull was from walls already 12" tall.

#63722 How Did You Choose Your Glaze Pallet?

Posted by clay lover on 02 August 2014 - 07:58 PM

Sorry, but don't think 'mixing my own' will be less time consuming.  And testing after mixing , FOOOOOOREVER. :unsure:

#63264 What Are You Working On?

Posted by clay lover on 25 July 2014 - 08:19 PM

Long necked bottles. cause life was too smooth, so I invented me some stress.  :wacko: