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Pres

Studio Tips: glazing, underglaze, and in-glaze

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Hi folks,

Today I was working on the Wedding Jar that I had made for a nephew, and was trying to accent their lettering for names and dates. I had stamped these in, but it was not quite clear so I cleaned them up and added a stain over top thinking to do a little mishima to bring the letters up. However, due to the curved surface I lost some of the letter forms. What to do. I used a small brush after engraving the missing areas to flow the glaze in, and that worked. At the same time I decided to use the brush with a white engobe to accent the flowers of the mountain laurel I had stamped into the form. 

My tip for the day though is much simpler. I had problems with getting the right amount of slip or stain on to the fine bristled brush. I tried a lot of different techniques and then tried to dip a sponge brush into the container of slip or stain and lay it over the top of the container loading the brush up from that. It worked perfectly with just the right amount of stain or slip to work into the brush and keep the fine work when painting on the pot.

I was an art teacher, working with a lot of media, especially watercolor, acrylic, and inks. This technique I had never heard of, but it would work well with almost any media to keep from overloading a brush.

 

So. . .. do any of you have some technique that would work well with the use of stains, underglazes, glazes, even if brushing, spraying, or other technique? Post it here, it would be great to hear from you.

 

best,

Pres

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A triple or double zero "spotting brush" for photography retouching (used for manual prints, to fill-in minute voids left by dust on a lens.) This for fine line work or narrow letters-not wide areas.

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I recently discovered that (Sheet) vinyl flooring makes great easy to cut stamps for making impressions, not so much for picking up color, but I'll be putting color into them and wiping back like Pres mentioned in the topic. With scissors I was able to cut out this in about 20 min with only one boo-boo I had to fix. So far it's working great for stamping clay, and reasonably well for cloth using craft paint. 

Use thin plastic wrap, better yet those clear plastic produce bags from the grocery store over the clay or the vinyl tends to stick toit. 

 

Vinyl flooring stamp 1.jpg

Edited by yappystudent

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I cut out stencils from thick tablecloth vinyl & use iron oxide to stamp.  I use a tub with folded jersey cloth for a pad to keep the amounts of oxide  just right for a stamping  foam brush the pad allows the oxide to fill the stamping tool but not too much.  I stamp on top of a glazes  as control of the oxide is essential,  too little & the stamp fires faded too much & it is dark & messy.  I periodically add water with a small squirt bottle for moisture.

joy

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6 hours ago, dhPotter said:

So you cut the, I'll call it a" scorpion" , out of the vinyl flooring then you glued it to another piece of vinyl flooring?

 

Yes that's exactly. originally I wanted the brine shrimp not be attached to anything, but it was too fiddly and one of it's ribs got cut off, so basically I made a rubber stamp out of it to glue the rib in place. It should have nice sharp edges for a long time. I used aquarium silicone to attach it to the backing; more vinyl; which worked great, then glued the whole thing to a small flooring tile because I didn't have a piece of wood the right size. Voila, prototype. I smeared craft paint on a plastic plate, twirled the stamp around in it and stamped it onto to a damp piece of fabric. Worked not so well on dry fabric. Anyway, I'll be using this idea again but without the backing attached it should work better in future for clay.  The sheet vinyl -not the hard 'tile' type flooring- cut super easy. I went into a flooring store I get my flooring tile remnants from and they were happy to give me a scrap. 

Edited by yappystudent

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thank you , yappy, for the aquarium silicone suggestion!   i need to glue my shoes together again and there is just no good way to do it.  yes, i will glue some sponge to dowels for claywork but i really need to fix about 6 pair of shoes.    bad foot means only one kind fits but they fall apart after a week or so.

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On 5/28/2018 at 8:43 PM, oldlady said:

thank you , yappy, for the aquarium silicone suggestion!   i need to glue my shoes together again and there is just no good way to do it.  yes, i will glue some sponge to dowels for claywork but i really need to fix about 6 pair of shoes.    bad foot means only one kind fits but they fall apart after a week or so.

Birkenstocks, just sayin': My last pair of leather Arizona's lasted 7 yrs and I wore them (nearly) every day including at work, in the rain, etc. Yes, I wear socks with sandals. They will cost you but it's cheaper than replacing shoes every year. They form to your feet.  I wear the classic  kind with no heel strap but they make lots that do have them now. Once you start wearing them they are addictive and your feet won't want to go back. 

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Crocs!!! Classic clogs w/back strap. Luciously comfortable, long lasting, inexpensive (go for the sales).  I paid a little more and scored myself a Limited Edition of Jackson Pollack Studio clogs--how very artsy of me LOL1624256584_JPSclogssm.jpg.e3a38200ab9fa3c66430a079d32d6765.jpg

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On ‎5‎/‎21‎/‎2018 at 6:29 PM, LeeU said:

A triple or double zero "spotting brush" for photography retouching (used for manual prints, to fill-in minute voids left by dust on a lens.) This for fine line work or narrow letters-not wide areas.

Seriously, Lee....a spotting brush?! It brings back memories of my stint in a professional Freelance Photographers school in Sacramento in 1980 and the hours spent retouching the Black & White photos> I still use those skills today as you do for the fine lines and spotting necessary for various art applications...:D

JohnnyK

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I was the Spotter for Modernage Labs in NYC in the late '60s, spotting high quality mural prints for the museums and lottsa other cool stuff (& silver prints).  Still have some discarded (or so they thought LOL) prints of historic photos of  subjects like Jack Johnson (boxer), pics by "Weegee", right after he died, and the building of the Brooklyn Bridge. The night crew was me, my x-hubby--he was a developer/printer extrordinaire--and a United Nations assortment of Chinese, Armenians, Polish, Germans, etc. Lemme tell ya---the bring-a-dish parties on the 4-12 shift were awesome! So was the bootleg Chinese whiskey, at 200 proof.  My "ex" ended up losing a quarter of a lung due in part to the formaldehyde (and the insane amount of roach spray we were subject to in our little downtown NY apartments).  Wow--Johnny-did you spark some memories! 

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