jmpeden Posted June 21, 2016 Report Share Posted June 21, 2016 Any tips on glaze color's to get this look? I don't like to make my own glaze so if you know of a glaze brand that would be great. Link to comment Share on other sites More sharing options...
High Bridge Pottery Posted June 21, 2016 Report Share Posted June 21, 2016 Some sort of semi-matt white brushed thin onto dark clay. Link to comment Share on other sites More sharing options...
Callie Beller Diesel Posted June 21, 2016 Report Share Posted June 21, 2016 Is that from Bandana Pottery? If so, it's a white slip layered over a dark local clay, and salt/wood fired. That would be a process to get that surface, rather than a single recipe. Play around with layering things. Link to comment Share on other sites More sharing options...
jmpeden Posted June 21, 2016 Author Report Share Posted June 21, 2016 I saw it on Pinterest not sure who it's from. Link to comment Share on other sites More sharing options...
perkolator Posted June 22, 2016 Report Share Posted June 22, 2016 Some matte glazes will do this on their own, completely dependent on application. Usually I see these glazes go darker when thin and go opaque when layered thicker - which in this case you're seeing brush strokes. Also look at the thick spots in the recesses of the texture on the left side, opaque. Link to comment Share on other sites More sharing options...
bciskepottery Posted June 23, 2016 Report Share Posted June 23, 2016 Vase in foreground is Standard 266 clay (dark brown) with white Bringle slip brushed on and wiped off of from high spots. Soda ash wash applied before firing. Feldspar inclusions. Cone 6, oxidation. Rear vase is Laguna Dark Brown clay, wood fired, cone 10, reduction. Link to comment Share on other sites More sharing options...
Joseph Fireborn Posted June 23, 2016 Report Share Posted June 23, 2016 266_vase.JPG Vase in foreground is Standard 266 clay (dark brown) with white Bringle slip brushed on and wiped off of from high spots. Soda ash wash applied before firing. Feldspar inclusions. Cone 6, oxidation. Rear vase is Laguna Dark Brown clay, wood fired, cone 10, reduction. Those are beautiful vases. I love the dark look on the top part of the wood fired one. Brilliant. Link to comment Share on other sites More sharing options...
bciskepottery Posted June 23, 2016 Report Share Posted June 23, 2016 266_vase.JPG Vase in foreground is Standard 266 clay (dark brown) with white Bringle slip brushed on and wiped off of from high spots. Soda ash wash applied before firing. Feldspar inclusions. Cone 6, oxidation. Rear vase is Laguna Dark Brown clay, wood fired, cone 10, reduction. Those are beautiful vases. I love the dark look on the top part of the wood fired one. Brilliant. It sat behind the stack and on the floor between the two chambers; the top part got the flame, the bottom part did not as the flames exited the flue between the wood and soda chambers at that height. All a matter of placement. Link to comment Share on other sites More sharing options...
oldlady Posted June 23, 2016 Report Share Posted June 23, 2016 bruce, you have art everywhere, look at that lovely needlework on the tablecloth! Link to comment Share on other sites More sharing options...
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