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Found 18 results

  1. Guest

    Pyromania!

    From the album: Images For Misc. Posts

    We make pots so we can play with FIRE!
  2. From the album: Images For Misc. Posts

    View in one of the side stoke ports during the firing. Note the wood laying right on the pieces.
  3. From the album: Images For Misc. Posts

    The early stage of the summer 2017 Fushigigama firing.
  4. Guest

    FushigigamaLoad Summer2017

    From the album: Images For Misc. Posts

    Front step loading of the summer 2017 firing of Fushigigama.
  5. Guest

    PostWaddingExample Anagama

    From the album: Images For Misc. Posts

    Example of post wadding in an anagama.
  6. From the album: Kilns designed/constructed by John Baymore

    A wood fired climbing kiln that was fired in the Longwood Avenue section of Brookline (part of Boston) for many years. Afterburners on the chimney controlled the smoke outside the kiln building.

    © john baymore -all rigthts reserved

  7. From the album: Kilns designed/constructed by John Baymore

    A small Bizen-style climbing kiln.

    © John Baymore -all rights reserved

  8. From the album: Kilns designed/constructed by John Baymore

    The five chamber noborigama located at River Bend Pottery constructed 1980.

    © 2010 John Baymore -all rights reserved

  9. From the album: Kilns designed/constructed by John Baymore

    A kiln building workshop I ran for the NH Potters Guild for building a combination wood fired and also gas fired crossdraft kiln. Here, the kiln is being built in the early stages.

    © John Baymore - all rights reserved

  10. From the album: Kilns designed/constructed by John Baymore

    A large 'hybrid' design of a Japanese anagama and a US southestern groundhog kiln concept built in Japan.

    © 2009 J. Baymore - all rights reserved

  11. From the album: Kilns designed/constructed by John Baymore

    A large 'hybrid' design of a Japanese anagama and a US southestern groundhog kiln concept built in Japan. (Just behind it in the background of the image is a large X type crossdraft kiln built by Fred Olsen.)

    © 2009 J. Baymore - all rights reserved

  12. From the album: Kilns designed/constructed by John Baymore

    A single chamber wood fired kiln that was built in Japan at a workshop which I led there in 2006. It is designed to be used for the youhen charcoal finishing process, and you can see the charcoal ports in the wall in the front. It shares a large chimney with a large 5 chamber noborigama (seen behind it). It is fired on a 3 day cycle to 1250 C and then all the ware is buried in wood charcoal for the cooling cycle. This process is heavily used in Bizen. The dubbed this kiln the "Johngama" ( ジョン窯 ) .

    © 2006 John Baymore -all rights reserved

  13. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  14. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  15. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  16. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  17. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  18. Anagama Wood Firing Workshop with John Baymore April 1 – 5, 2015; Unloading on April 12, 2 015 SCER084 Sharon Arts Campus of the New Hampshire Institute of Art, Sharon, NH Come fire your ceramic work in our new anagama kiln! This past summer, we built an anagama kiln on the Sharon Arts Center campus. This past fall, we fired the kiln for the first time and achieved wonderful results. This spring we are excited to offer an immersive workshop. The Anagama Workshop is an opportunity to learn the intricacies of wood-firing through hands-on experience with a large anagama. With the guidance of master wood-fire artist, John Baymore, students will prepare, load, fire, and unload the anagama kiln. John will also lead various presentations and discussions about the process and history of wood-firing. The first two days of the workshop will focus on glazing, wadding, and loading the ware into the anagama, with consideration of the forms going in and the path of the flame during the firing. The kiln will then be fired in shifts around the clock for three days as it reaches 2400 degrees. Participants will serve on 3 shifts at various times of the firing. As the firing progresses, discussion will focus on what changes are happening in the flow of the kiln and with the ware inside. Unloading the kiln, there will be review and reflection on the results and impact of the making, stacking and firing. Participants in the Anagama Workshop will bring work to the kiln and be able to have approximately 8 square feet of ware in the firing. For those that want to have work in the anagama kiln but do not want to take the workshop, there is limited space available. If you are interested in either level of participation (the 5-day Anagama Workshop, or having work in the firing), or for detailed workshop information and costs, contact: Maureen Mills, Chairperson, NHIA Ceramic Dept., mmills@nhia.edu or (603) 836-2565. http://www.nhia.edu/assets/NHIA630CEwtr-spr15web.pdf New Hampshire Institute of Art Continuing Education Office 148 Concord Street Manchester, NH 03104-4858
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