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Found 6 results

  1. http://ledondufel.com/fr/stage/la-terre-sigillee-de-la-fabrication-a-la-cuisson/
  2. Most of us who've been doing this for a while will develop personal approaches to getting certain forms made on the wheel. Much of my work is very conventional... I'm strictly a functional potter. I greatly admire the work of many sculptors but have little personal interest in objects whose only purpose is contemplation. Still, it's nice to develop a form that's different, because one of the elements that cannot be divorced from the concept of fine art is originality. Some days I think we give too much weight to originality, and on others I feel unhappy that my mugs and bowls and crocks are so much like those made by a million other potters. However... many years ago, as a young potter, I realized that there was a market for fancy clay pipes. I made a lot of them, and sold a lot too. I'd guess that Atlanta in particular is still infested with a lot of pipes I made 40 years ago. I was frequently asked if I made water pipes. In those days, some potters would make vase forms, and then add a rubber stopper and a glass bowl, which struck me as an unpleasant makeshift. So I developed a way to make one-piece water pipes that required no extra gear to work. So what kind of unusual techniques have you developed? What makes them different from the usual ways of making? How did you come to discover your personal approaches. EDIT: My apologies to anyone who tried to follow the link that was in this post. I decided to take down the instructions, because I'm writing a little book on my pipe making techniques.
  3. I have become somewhat interested in the technique of creating texture on thrown pots using sodium silicate. i am curious to know if anyone has ever tried to use other materials to create a similar effect? I know it's easy to order the stuff online (when freezing isn't a concern) and I could make it myself from lye and desiccant. Just wondering if there is any other readily available liquid that offers a similar outcome. (I suppose I am being a bit lazy, too - who really wants to run out to Walmart when the temps are in the single digits, there's 2 feet of snow on the ground and the driveway's coated with ice?) Thanks.
  4. Dry Glaze

    Hi all I've seen a beautiful piece at the IAC member exhibition in Dublin. On the tag it said "dry glaze". Can somebody tell me how to apply and fire dry glaze and where to buy it (here in Switzerland there is no dry glaze available). Thank you in advance. Greetings Evelyne
  5. My name is Kristofer Hammer and I am a student of Union College in the USA, and I am applying for the Watson fellowship. This would allow me to study internationally for a year, traveling from various countries for my personal project proposal. My desire is to study Ceramics and the production of ceramics across the globe and I am hoping to not only work alongside artists, but to see how the Clay comes from the earth and into a persons hands. I was hoping that this community would be willing/able in assisting me in my dream, and might be able to provide me with any contact details of artists or art institutions in varying international countires, who may speak with me. My current countries are vast and wide but I am heavily considering Germany, Italy, France, India, China, Nigeria, Egypt, Korea, and England. I hope to hear from this amazing community and thank you for everyones time and consideration! Sincerely, Kristofer Hammer http://www.watsonfellowship.org/site/what/what.html
  6. Hakame

    I was experimenting with some Hakame and made a brush from grass broom bristles which seems to be fine as far as the tool is concerned (the synthetic broom bristles might be an interesting alternative too as you could space them out and create a "comb"). The issue that I ran into is that instead of doing it with slip I am doing it with glaze. It turned out pretty interesting but I'm not getting the flow that I want which is in the second photo. Any tips on getting that type of flow? The color pallate that I"m working with is exactly what I want and using another slip I might consider eventually but I'm trying to stick with working with minimal amount of variables at this time.
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