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Week 29 As a safety measure, Ben Carter recommends using plastic gloves when throwing _______________. Porcelain tall pots Earthenware Black clays As a core component of both clay bodies and glaze, ______________ is present in all stages of the ceramic process. While harmless to the touch, it can be progressively harmful once it enters your lungs. Alumina Water Silica Oxides The size of a teapot is should be directly related to the ______________________. method of brewing clay body being used type of tea being brewed style of teabag being used Getting started with throwing large requires setting yourself up for success. That's right, the first hurdle to making large work is ________________ larger amounts of clay. Lifting throwing wedging using This weeks questions come from Mastering the Potter's Wheel, Techniques, Tips and Tricks For Potters, by Ben Carter, c.2016, Quarto Publishing Group Note from Pres: This is a new book in my library. I usually do not purchase wheel throwing books anymore, but as I was lately at B&N, and found it there, surprised, I purchased it. It is quite well done, has lots of illustrations, has some good ideas illustrated better than I have seen in other books, and skips into philosophy of making quite a bit, and I enjoy that. The sections on teapot making and design are very well done. Answers: 4. black clays -Materials in this category include chrome, manganese, copper, vanadium, and other soluble heavy-metal colorants. These materials should be kept in a hard plastic container to reduce spillage and unwanted contamination. The only material in this category that you are likely to come into contact with on the wheel is manganese. Many black clays have a percentage of manganese to help them achieve their rich colors. If you choose to use these clays, I recommend wearing plastic gloves when you are forming the clay. I also recommend you take special care when ﬁring to insure no fumes from the kiln enter your studio air supply. A kiln-venting system that exhausts fumes outside your studio is recommended if you plan to use these on a regular basis. 3. Silica-Your first studio safety concern is mitigating silica dust and other lung irritants. As a core component of both clay bodies and glaze, silica is present in all stages of the ceramic process. While it is harmless to the touch, it can be progressively harmful once it enters your lungs. Prolonged exposure to silica dust is linked to an emphysema-like condition known as silicosis. 3. type of tea being brewed-From a functional standpoint, the body of a teapot acts as a reservoir in which the tea will be brewed. The scale is dictated by the speed at which the tea you are brewing steeps. Green teas are best steeped for a short amount of time ( 1 to 2 minutes) and are usually served in small teapots with 8- to 16-ounce capacity. Black teas can be steeped for a longer amount of time (3 to 5 min- utes) and are served in larger forms that hold 16 to 32 ounces. I won’t go into sizes for all tea types, but I do want to reiterate that as the maker, you should match the teapot to the speciﬁc type and brewing style of the tea you wish to serve. 3. wedging-Note that before you begin this chapter you should set yourself up for success. That’s right, the first hurdle to making large work is wedging larger amounts of clay. To accomplish this, I recommend using the conical method, which allows you to wedge larger amounts with ease. Note from Pres: after reading this book twice, I really think that it is a gem for those of you that are just beginning, and those of you that are advancing into more forms.
I have two kilns hooked to a vent. I am firing sometimes both kilns 4 days a week. I believe the hoses are both connected correctly (I use a damper), but would certainly not mind tips on ways to check. I am not sure now because the studio has a kiln odor and I sometimes have some smoke coming out when the wax burns off. I usually dip glaze and fire immediately. Could this be my problem. I just changed out some of the vent hoses as they eroded, so I am hoping that will help. I have been experiencing shortness of breath and coughing (especially when running) for a few years now but just assumed it was from previous years of bad studio practices. I thought that the vent and good cleaning schedule would take care of any issues I have, but it is not. Since I am doing production, I fire a mostly full kiln loads of copper glazed- green - pots and of course, bisque. Could this be sulfuric acid? I do see a good amount of rusting on equipment, but I am also near the coast and it gets very humid here. I would like to make my work environment as safe as possible. I also wear a P100 respirator in the studio but would love to be able to work unencumbered by the mask. Any help you can give me would be great!
Hello, I am new to ceramics this year and would like some advice on home studio safety. I have taken several classes and have now purchased a wheel to throw at home. I am very concerned with safety. My options for a studio at home are a sun porch or the basement. The sun porch can be closed from the rest of the house for the most part, but is usually walked through to get to the back yard and patio in the warmer weather. It has great light and would be pleasant to work in, but can be cold (lowest 55 degrees to keep pipes unfrozen) or hot depending on time of year. The basement is unfinished and has dimmer light, but is more even in temperature. My husband has offered that he could build some walls to make a small room in the basement if I feel that is safer. What are thoughts on which might be a better home studio with safety being my number one priority? I am very concerned with dust inhalation, and plan to keep things very clean. I have teenagers in the house. I want to keep them safe. How concerned to I need to be about dust travelling even if I am very diligent with wet cleaning? I love to work with clay and really enjoy the process, but the safety concerns are dampening the joy I have found in clay just a little. I want to set things up so that I can feel joyful in having the chance to work with clay often and at home. Thank you in advance for your sage advice. I have already used these boards to gather so much valuable information!! R