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Found 13 results

  1. Linda Lees

    IMG_8096.JPG

    From the album: Curves and Crisp Edges

    Slab construction, stoneware with a crackle celadon glaze.
  2. Linda Lees

    IMG_8101.jpg

    From the album: Curves and Crisp Edges

    Slab construction, stoneware with terra sigilata
  3. Jeremy Randall: From Flat to Form WS02 – Saturday - Sunday, July 8 & 9, 2017 10-4pm, Fee: $200 members; $225 non-members www.baltimoreclayworks.org In this 2-day workshop, Jeremy will present his techniques for using tarpaper templates to make repeatable and adjustable pottery forms out of textured earthenware slabs. Focusing on the development of form and the terra sigilatta surface, he will assemble the form, discuss line and surface elements in his pots. Eccentric finishing techniques using non-clay elements like carpet tacks and wire for accent for his vessels will be demonstrated. Open to all skill levels Jeremy Randall received his B.F.A. from Syracuse University and his M.F.A. in ceramics from the University of Florida, and has been making his hand built pottery professionally since 2005. He currently lives in Tully, New York, where he owns and operates his home studio. Jeremy is a visiting instructor of art at Cazenovia College in Cazenovia NY, and an adjunct professor of art at Syracuse University. Jeremy has been involved in numerous national and international shows, is represented by Red Lodge Clay Center in Red lodge MT, The Clay Studio Philadelphia, Society of Arts And Crafts in Boston, among others. He also has work included in the permanent collections of Robert and Jane Myerhoff in Baltimore, Bailey Pottery Equipment permanent Collection, and the Southern Illinois University Museum in Carbondale, Illinois. Questions? Please contact Mary Cloonan at [email protected]<script data-cfhash='f9e31' type="text/javascript">/* */</script>
  4. Linda Lees

    IMG 6865

    From the album: Curves and Crisp Edges

    Slab built using Feeney's Red Raku clay and glazed with Mayco Elements Burnished Steel

    © Linda Lees

  5. Linda Lees

    IMG 6818

    From the album: Curves and Crisp Edges

    Slab built from Feeney's Red Raku clay. Glazed with Mayco Copper Adventurine

    © Linda Lees

  6. Hi all, I've had an order for some slab platters for Christmas. I know last minute shopping! So I've slabbed four already, I've been told that porcelain slabs need to dry slowly. Problem being is we're in mid summer with temps of +30 deg C, I have no storage room since I work outside. Can anyone confirm this info? If so how long should I keep them wrapped in plastic? Bearing in mind that every time I work on them they dry even more. Thanks Andread
  7. ChamSolo

    Weird Creation Combo Piece

    From the album: Cham Solo's Pieces

    Same piece, different angle.
  8. ChamSolo

    Weird Creation Ccmbo piece

    From the album: Cham Solo's Pieces

    Different angle, same piece.
  9. ChamSolo

    Weird Creation Combo Piece

    From the album: Cham Solo's Pieces

    This one is one of my more abstract pieces. It was actually an assignment. We were supposed to create a combination of a slab piece with a wheel thrown piece. So there you have it, this is what I came up with.
  10. simatai33

    Hand built slab vessel

    From the album: My pottery

  11. What is your favorite clay for slab building small projects. Grog or no grog? Porcelain? Thanks! Linda
  12. I am in search of a translucent clay body. It is my understanding that porcelain is the best (only) clay to achieve this. I am making luminaries with hard slabs. I was considering using Grolleg Kaolin and am researching Frost as an alternative. My main concern is a clay that lends itself to hard slab techniques. I'm also interested in firing at cone 10 or lower, preferably cone 6. Would firing a high fire porcelain at cone 6 affect the translucency, make it less translucent if fired lower than cone 10?
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