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Found 9 results

  1. Check My Work

    Hi to everyone. Please check my YT channel and let me know:-) https://www.youtube.com/channel/UCqGNbVXdITzcuqsUJaaP-mw
  2. Good day to you my friends. This weeks question is one that is bothering me already for years. You all heard about (or saw) that famous Chinese artist demolishing an ancient vase in front of a camera, "just because he can". He is rich and can buy rare antiques. He also is famous for painting such ancient vases with house paint. Even if he want to make a point (what point?) or provoke, may he do that? If you buy a piece of art, may you do everything you want to it, saying "I bought it, now it's mine"? I wonder..... .... what your oppinion is in this matter. Have a great week! Evelyne
  3. This seminar aims to introduce you to the world of this art, to become familiar with the material and its potential. To discover what has been created in the history of art until today and make your own unique ceramic pieces. Our goal is to take advantage of the imagination and inspiration that one gets from Ikaria Island in Greece, so as everybody discovers his own personal style and return home with a rich experience and wonderful things in his suitcase! This seminar includes: 25 hours of pottery workshop 3 hours introduction courses (History of Art and Pottery, Science and Technology, Jewelry) Printed leaflet with theoretical lessons and a set of ceramic tools 7 nights accommodation in a double room (shared by two persons) with 6 days of breakfast buffet and 6 days of dinner buffet (beverages & drinks are not included) 1 traditional Greek dance lesson (two hours duration) 1 cooking session- we cook together a traditional Ikarian recipe 1 guided trekking on the ikarian hiking trails 2 excursions around the island (we visit the Archaeological Museum of Campos & we meet a mountainous part of Ikaria)
  4. So, I am standing in the middle of my studio in the middle of our big Mother's Day open artists studio walk. There are 9 professional artists, and we open up our studios to people who walk the neighbourhood, looking at art. It is a two day sale, and happens again in November. The great thing is that I don't have to move my work, and people can see an artist in his/her natural environment. Anyway, these two guys are standing there looking at me. They are about 26. Tall, thin, good looking. Both wearing woolen hats which we call touques in Canada. They looked strangely familiar. Luckily, they introduced themselves by name. I knew them right away. I had taught both of them art over 8 years ago. G. was now an architecture student. I remember him being an amazing drawer. He was the student council president and did ABSOLUTELY NOTHING! I gave him a reference. We laughed at that. The other young man was sporting a full beard. I couldn't grow a beard like that until I was in my 40's. I remembered luckily, that the second student, had a father who died while he was still in high school. He works as a pressman, or a printer. Both had traveled, looked at art, had fun before settling down. They had heard about the sale and wanted to see me. Apparently I was their favourite teacher in high school. Even though they weren't the most serious students, they turned out great. They congratulated me on winning the Canadian high school art teacher of the year award in 2012.They said that it was a long time coming. I said that I hadn't done much lately and we all laughed. It was a great time. Have you influenced anyone, or changed a young person's life, for the good? Let's hear about it. TJR.
  5. I fire with another potter in his gas kiln. He is a great guy, but his work never changes. It has stayed the same for the last 20 years. His casseroles just walk out of stores.We both decorate. He uses slips under a glaze. I do on glaze decoration. Our work will never overlap. I am always testing glazes, looking for that elusive colour. I am working on a turquoise and also a great yellow. I am always searching for something new. I call myself an artist although I trained as a production potter.There are some things that I won't make, like soap dishes. Who are you and what are you called? Why?
  6. I had an interesting day yesterday to say the least. I had a festival in North Georgia. I also had snow, wind, and cold. YAY Setup was set to start at 7:30 am. I am usually one of the first to arrive since I like to take my time and not risk hurting my back. I decided to show up at 8:30 instead. You have no idea what a huge decision this was for me... I am always early for everything, I still can't believe I managed it. 😜 Secretly I am hoping the show promoter will tell me it's been cancelled when I pull up. I arrive and am told cheerfully that the show would go on that we were tougher than a little bit of weather. Hmmm Weather Advisory anyone? Pulling into the site the first view to greet me is a lone tent upside down in the middle of the field. It looked like a squashed spider with crooked spindly legs sticking out in every direction. The legs had a nice chunky profile though where the PVC weights were still attached and visible between the flapping shreds of the tent top. Has no one around here heard of the weather channel except me? 20-25mph sustained winds with 40mph gusts, rain, sleet, snow and Max temperature of 40-45. Woo hoo lazy sunbathing weather, oh wait I can't get a tan for the life of me so I guess I'll just do the festival instead. I decide to set up my display but not to put up my tent, easy ups are not known for liking wind. I just didn't feel like practicing my tent flying skills. Lazy thing aren't I? I had brought extra weights. I usually have 4 25lb wrap around sand bag style weights that I use but I had raided the gym on my way through the garage and grabbed 2 25lb and 2 30lb kettle bell weights to add to this. I also grabbed my spiral anchors and an extra pack of ratchet straps. I was really worried about bending the frame trying to keep everything on the ground. While setting up my displays I had to clamp the fabric covers down since they were flapping around like crazy. I zip tied all the wooden crates together and then to my tables. Whatever would I do without zip ties, wish I knew who invented them so I could send them a thank you note. I had to put pieces of wood under the table legs as the ground was wet and soft and they started sinking before I even had pots on them. Oh and why do they never sink equally? It's always to one side or the other, something really weird about that let me tell you. I zip tied my plate racks and sculptures to the crates and taped the plates to the racks. While I was doing this other artists would stop and ask, "aren't you worried about the rain?" My answer, "Nope pots don't care if they get wet and I have a rain coat and umbrella for me." They would answer, "oh" and wander off. Lol I guess my answer wasn't the one they wanted to hear. From the looks of it about 1/3 to 1/2 of the artists didn't even show up. My husband said oh you mean the smart ones stayed home. Ummm... I set up what does that say about me? He just gave me a look. I guess he doesn't want cooked food this week huh. Mr. supportive stayed home with the dogs which is just as well having to listen to even one more person whine about the cold might have done me in. The day progressed, the sun came out which was a blessing and made me even happier I didn't put up my canopy as it warmed up my space quite nicely. The wind was relentless and so was the cold. There was a handful of people braving the elements. I sold some items but nothing big. They didn't want to carry anything and expose their hands to the cold. If it was small enough to fit in their pocket they were interested but just barely. Spoon rests sold, colorful fall leaves did not. Personally I think Polar Bears have no need of leaves but find spoon rests useful for their big bear spoons. The show had the capability of be a great one if the weather had just cooperated. Thank goodness for spoon rests... Seriously spoon rests saved my rump. By the end of the day I had the pleasure of watching another tent flip over, covered my show fees, supply fees, got paid for creation time, and made a little bit of profit as long as I don't pay myself for the time spent selling. I'm such a good volunteer I really must ask me to help out again! The booth behind me sold nothing, the booth next to me sold nothing, the booth on the other side never showed up. The booth diagonally behind me was a potter and he sold some. I'm thinking around $200 but it could have been more or less. The woman selling hats and scarves 2 booths down made a killing. Gee I wonder why? Any ideas??? Maybe I should have knitted little caps and scarves for my Pug sculptures and mugs then I might have sold some. Towards the end of the show I am sitting there wrapped up in five layers of clothes fantasizing about Oldlady's closet full of wool sweaters. Weird but true, I actually got to debating with my self as to just how many layers of wool sweaters it would take to turn one into the Michelin man and have to be rolled away. Thank you oldlady for mentioning your lovely closet stuffed full of warm and toasty wool sweaters, I being a past Florida girl probably own 2, but at least it gave me something to take my mind off the loss of feeling in my extremities. Anyhowwww sitting there wondering why I hadn't thought to bring a blanket a guy walks up and goes... "How can you be so calm? It's irritating!" "Ummm excuse me do I know you?" He points off in the other direction and I guess he can see me from his booth or something. I ask, "What is there to be stressed about? I can't control the weather, once I decided to do the show the only thing to worry about was tent or no tent, that decided there's nothing left to do but hope for the best." I told him the stress goes away when there are no options to choose from. He grumbled something and stalked away. Oh well another unhappy noncustomer. I really must work on my people skills. The day continues, the clouds build, the temperatures plummet, the handful of wanderers stagger frigidly off to their cars and hey what do you know it's 5pm and I didn't blow away. YIPEE, success I am soooo good at this. lol The show promotor comes by and hands out checks for the $25 deposit we sent with our applications. Those of us still standing at the end of the day earned our deposits back. Woo hoo! I'm rich whatever shall I do with all the money! The only thing good about tear down was that for the first time in 8 hours I wasn't shivering. Oh and the fact that it was really quick since I had no tent to take down... Really must think on this use of no tent policy of mine for the future just imagine all the stuff I could leave at home. On the other hands the medical bills to care for my skin cancer might eat into that joy some so I guess maybe it's best to just stick with a tent and take a bit longer to tear down. Show survived, pots packed, car heater running full blast, I looked at my husband, grinned and said, "Gosh the life of an artist is so glamorous, so easy, no responsibilities, do what I want, not a worry in sight, it just doesn't get better than this." He just rolled his eyes and said, "I think you froze more than your toes." 😄ðŸ˜ðŸ˜ƒ Terry
  7. Hi all, My host that I am staying with for a while has been telling me about this camp that he has annually (he also does many others) it sounds like a lot of fun. He does not do this for a profit but instead just to get like mind people together for what seems like a great time the cost mentioned is just to make sure the expenses are covered and the application process is just to make sure that the right mix of people are attending. The details are below. ___________________________________________________________________________ From September 13 till September 20, 2014 the Crazy Art Camp will take place in beautiful Tuscany, Italy. An international group of (pro or amateur) artists, giving inspiration to each other, spending a week in a unique location, creating unique art! EUR 345 (full board). Please read all details at crazycamp.org We will be in a unique house just for our group in a beautiful landscape, isolated from anything that might distract us. It doesn’t matter if you are a painter or a poet, a dancer, a photographer, a theatre maker, a graphic designer, a musician, a fashion designer or any other kind of artist… or a muse, the Crazy Art Camp is the perfect place to spend creative holidays, not only working on what you enjoy most, but also getting inspiration from, and sometimes working together with, the other members of the group! In the evening we will organize crazy group games, cook and eat together, we’ll swim in our private pool or in the wild stream in front of the house etc. The Crazy Art Camp will be an intense and unique experience! Please read all details at crazycamp.org and fill in the application form that is linked there! If we complete 10 people, price for one week is EUR 345 per person for accommodation, food and fun. That is cheap! . However, don’t come if you are only interested in an affordable holiday. The Crazy Art Camp is all about the group, spending fun evenings together, doing crazy games, and creating art! By the way, you will have to bring any tools or materials that you want to use, by yourself. No materials are provided. You don’t have to be a professional artist – it doesn’t matter if Tate just bought your latest work, or you are just experiencing your first writers block as a beginning amateur playwright. During application you will give the link to your online portfolio or you will upload some examples of your work. And even if you are not an artist but a muse, you can still join! You will participate as a muse for the artists in the group. But also in this case during application you will give the link to your online model portfolio or you will provide a testimony of that writer that got his/her inspiration for that great novel from you!. And of course, also ‘supporting’ artists like for example make up artists and stylists are absolutely welcome! • International and very mixed group • Cooking, eating & cleaning together • Crazy group games • Creating art and swimming in the pool... • No sticky couples • Lots of fun Please read all details at crazycamp.org and fill in the application form that is linked there!
  8. I wrote this a few years ago for fun, in light of Wyndham's thread, I thought it was worth sharing. The ideas expressed are those of real people, however not necessarily my own. “Excuse me,†said Peggy as she tapped the shawled shoulder of a woman with long, dangling, folk art earrings ahead of her. “Were you the girl who gave that lovely speech about the importance of art in a person’s life?†The woman turned around to see a petite lady of at least eighty wearing thick bifocals, an overcoat, and scarf smiling back at her. “Yes, that was me who gave the speech,†she answered. “You liked it?†“I liked it quite a bit, actually. You were very articulate and had such remarkable passion for your craft. Besides, it’s rare to see someone as young as yourself with such broad experience and learning. You certainly know more about art than I did at your age and more than I know now, even.†“Aw, well thank you.†She was surprised and flattered at the old lady’s praise, but still it was hollow. She would have preferred it come from a fellow artist or at least someone who could know about art. “What brought you to the show?†“My granddaughter Mackenna,†Peggy replied. “She’s an art teacher at one of the high schools benefited by tonight’s show. If you’ve had a chance to look at any of the kids’ exhibits, her class made the mind maps.†“I haven’t had a chance to look at the students’ exhibits, yet,†she lied. The truth was that she didn’t care to see them. “What was the idea behind the mind maps?†“I didn’t catch all of what Mackenna told me about them, but from what I can remember it was a sort of structured collage. She had them collect images and small objects representing objects of thought in their everyday lives. When they had those together, she got them to arrange what they had collected into either a picture or sculpture depicting how they thought.†“Oh,†the woman said with some disappointment. “So most of the thinking was done for them.†“Yes, I suppose that’s true,†Peggy conceded. “All the same, each one was very original and there were very few images or things in duplicate among their work. I have to confess, though, that I was a little concerned by how many mind maps were mostly empty space.†The woman smiled at Peggy’s comment; she liked the old lady’s wit. “I’m sorry, I don’t believe I caught your name.†“It’s Peggy,†she replied and offered her hand to shake. After a long, awkward pause the woman finally took Peggy’s hand. “And if my program here is right, your name’s Jenna. It’s nice to meet you and I feel rather fortunate to have found you.†“Oh, why is that?†“I had a question for you about your speech. It might be nothing—I’m getting old and my hearing is certainly not what it used to be but I couldn’t help but wonder about something. Would you forgive me if I ask you something silly?†“Certainly,†Jenna said. She thought it was sweet that Peggy wanted to know more. Maybe she could improve her life a bit by helping her understand art. “There’s no shame in wanting to know.†“What a nice thought,†Peggy said and smiled. “My question,†she continued, “is how do you know when you’ve created art?†“How do I know when I’ve created art?†Jenna repeated in bafflement. “What do you mean?†“In your speech, you drew a great deal from your own experience talking about the rewards art has given you as an artist throughout your life, specifically by creating art, did I hear that correctly?†“Yes, you did.†Jenna answered. “I assumed you kept this fairly general, not mentioning your own preferred media because you didn’t want to make them seem more legitimate than others, is that right?†“That’s exactly it,†Jenna said, impressed with Peggy’s perception. “Tonight’s supposed to benefit all the arts programs at the schools; music, visual art, and drama.†“This is where I became confused,†Peggy began. “When I thought of all the different creative media together as simply art, I could follow your sentiment that creating art helped to expand and improve someone’s mind, but when I took any individual medium and thought about it, I could think of instances when that medium wasn’t artistic.†“How’s that?†Jenna asked. She thought Peggy sounded more than a little confused. “Hm, well, take the art that’s on the wall, here.†Peggy gestured towards the walls of the room while speaking. “If these were technical illustrations on how to repair a car or a telephone, no one would come and see them.†“Well, not usually,†Jenna corrected. “Technical drawings are quite often very well composed and so it’s not unheard of for the best technical artists to gain gallery recognition for their work.†“My goodness! The things you learn.†Peggy exclaimed. “Let me see if I can make my point another way, including your example too. To be honest, I’m not sure I’ve got the firmest grasp on this, so let me try and explain.†“Okay, do your best.†Jenna condescended. Really, she was curious to see what mixed up idea the old lady was getting at. “ WelI what I think I’m trying to say is that there is a difference between art and a simple drawing. I was trying to make the distinction based on the content, thinking that because one drawing showed, say, an exploded view of a car engine and the other more moving stuff than that. “But you seem to be saying that I should base my distinction on something else, hinting at how we treat the works themselves and value them, right?†“That’s it exactly,†Jenna agreed. “Presumably you’d say that this is because both drawings have content to them and valuing that content and the particular way its expressed is subjective. Anything could be art but it’s how we treat it that makes it so?†“Precisely,†Jenna assented. “I believe it was Valéry who said that ordinary language is like a coin we pass around among ourselves in place of something else, whereas poetic language is like gold itself. Or was it Gadamer who said that?†“Well, whoever it was, it’s certainly fitting,†Peggy said warmly and patted Jenna on the forearm. “I suppose I should change my question to something more like ‘when you set out to create art how do you know when you’ve made gold or just paper money?†Jenna’s eyes darted back and forth rapidly betraying her deep contemplation as she stared off to digest Peggy’s question. After a few thoughtful moments, she began, “now, I’m not going to speak in generalities anymore. To answer your question I’m going to have to speak about my own artistic medium of drama.†“Oh, you’re an actress!†Peggy blurted out. “Here I was thinking you had something in the show. You must think me a complete and utter dunce for asking you about drawings and assuming you had one in the show.†“No, it’s okay,†assured Jenna forgiving even Peggy’s dated language. “You were right to believe I have something in the show, but it’s not a drawing but an abstract performance art piece. I’m the director, though, not an actor and as a director I get a unique take on the artistic process. To me, the act of taking words off a page and turning them into a play must be artistic, through the interpretation process itself. So that’s how I know when I create art.†“So it is the act of interpretation that makes a work art?†“Yes, I believe so. The actors interpret their parts from the script, as do all the rest of the cast and stage crew and I try to take all of that and harmonize it with my own.†“So in a way, your interpretation is more important than theirs.†“Well, of course, since my interpretation is the one that makes it to stage.†“That’s a very good answer, Jenna and also very humble.†“What do you mean?†Jenna asked. “Well, you’ve made the audience the most important and their interpretation the most artistic—they’re the artists according to what you said.†“What? That can’t be right.†“You said that interpretation is what makes art, right?†“Yes, I did say that.†“You also said that your interpretation is the most important of the creative side because it’s what makes it to the stage, right?†“I said that too.†“So if you were directing a film about how to repair an engine, your interpretation and your cast’s interpretation would be artistic but because the film is treated as plain film rather than an art by the audience when they interpret it, the film would not be art?†“No, I guess not.†“So you really don’t know when you make art, do you?†Peggy asked. Jenna’s jaw dropped at the observation. “Well, what we’ve talked about doesn’t show the whole picture,†Jenna said trying to regain her appearance of authority. “Then I suggest you reconsider your account. Now if you’ll excuse me, it’s late and I’m sure my friend Dorothy is waiting to drive me home.†With that Peggy scuttled off into the crowd.
  9. Maybe you already know this statement of Eva Zeisel, maybe not. I just discovered the video and I was blown away! So much to learn from a humble but Grand Lady of Ceramics. The video is 18 minutes long but I recommend to take the time to listen to every minute she speaks. It's worth it! Imagine: she was 94 when she gave that statement on TED. She died at the age of 105, 2 years ago.... Although the translations and the title of the video are in German: don't leave the site. Eva speaks English throughout the talk. Enjoy. http://www.ted.com/talks/eva_zeisel_on_the_playful_search_for_beauty.html
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