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Chilly posted a question in the Question of the Week pool that was rather simple, but I have had to think really hard about it: The "accidental" perfect pot. Should have been this tall/wide, ended up different and was a success. About 12 years ago, I had been throwing some large 20# pots that were covered jars. One of these I had pulled the walls up, and was doing pretty well with the shaping, when I found an air bubble in the shoulder area caused a fault line. This I scratched out patched a bit, and then finished the shoulder/neck area I do most of my shaping with dry fingers, or ribs especially when the form is tall or wide. This particular jar though did not respond well in the area where the patch was, it had a noticeable scar. after some thought, and looking at the curved line of the scar, I decided to do something drastic. I started cutting leaf shaped lines through the surface beginning with the scar. I left areas attached so that I could reach inside and expand the leaf edges outward. Then some of the leaves I cut the points and lifted them, and others I cut almost completely out and overlapped over the body of the pot. . . controlling this area in a border around the pot. The effect was not functional, as nothing could really be stored well, but it was sculptural. I then finished the lid of the pot with a hand molded branch, old apple and the head of a snake poking out the end of the branch. . . Called the pot "Remnants of the Garden" . . . that Summer it took an honorable mention in our local Arts festival show. Worked out well. Pictures in early post on my blog site. best, Pres