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Found 10 results

  1. Celia UK

    White earthenware 'shell' bowl

    From the album: Winter 2016

    Thrown white earthenware, linear additions, Holes carved then dots added. Wash of copper oxide and cobalt carbonate airbrushed when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  2. Celia UK

    White earthenware 'shell' bowl

    From the album: Winter 2016

    Thrown white earthenware, linear additions, Holes carved then dots added. Wash of copper oxide and cobalt carbonate airbrushed when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  3. Celia UK

    Textured Slab additions

    From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  4. Celia UK

    Textured slab additions

    From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  5. Celia UK

    Textured slab additions

    From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  6. I've just taken a glaze firing out of the kiln - 1080oC (cone 04) transparent glaze on (mostly) a white earthenware clay. I can see that 2 pieces were in fact stoneware, which wasn't obvious after the bisque firing as my other pieces were white earthenware. The two stoneware bowls are pinging like mad and I can see the linear glaze cracks going round the bowls. The glaze can be pretty forgiving at higher temperatures and I'm wondering if these pieces might 'work' if refired to the clay's maturity temperature, or will the glaze fit always be a problem?
  7. From the album: 2016

    Experimenting with bought tissue transfers and stencils as resist. Thrown white earthenware. Dipped in transparent glaze & fired to 1100oC in an electric kiln.
  8. From the album: 2016

    After reading CAD article about making your own transfers, I tried this using a rubber stamp with stain & frit 50:50 mix. Stamped on to tissue paper, applied to leather hard clay. Bisqued to 1000oC. Dipped in transparent glaze & fired to 1100oC in an electric kiln.
  9. Celia UK

    Commemorative bowl

    From the album: 2016

    Made for a friend's 50th birthday. Various 'significant' words & phrases stamped inside and out with different letter styles, highlighted with oxide washes before bisque firing. Dipped in transparent glaze & fired to 1100oC in an electric kiln.
  10. From the album: 2016

    Small bowl with pinched floral additions. Stains added to transparent glaze painted on flowers. Whole piece dipped in transparent glaze. Fired to 1100oC in electric kiln.
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