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Found 30 results

  1. From the album: Images For Misc. Posts

    The 5 pieces that I submitted for possible inclusion ion the "High Risk, High Reward" exhibition. The number of pieces in the show will depend on the curator's decisions about the overall exhibition "feel" in the gallery. Some will be in the show.... maybe all.
  2. Guest

    Burnish Gold Luster Mug

    From the album: John Baymore's Clay Work

    This cup is in the invitational exhibition "I'll Drink To That" at the Eclipse Mill Gallery in North Adams, MA until August 27th, 2017. Handbuilt, woodfired, American Shino, overglaze enamel, gold luster.

    © 2017 - John Baymore - all rights reserved

  3. Guest

    John Baymore Bottle 2 detail

    From the album: Images For Misc. Posts

    This is a detail shot of the surface on the bottom of Bottle 2.
  4. Guest

    John Baymore Bottle 2

    From the album: Images For Misc. Posts

    This is the first bottle shown in a discussion thread.
  5. Guest

    John Baymore Bottle 1 detail

    From the album: Images For Misc. Posts

    Detail shot of the glaze and clay surface on a bottle.
  6. Guest

    John Baymore Bottle

    From the album: Images For Misc. Posts

    A more formal image of the bottle mentioned in a posting thread.
  7. Guest

    FiredBottle Summer2017 1024

    From the album: Images For Misc. Posts

    This is the bottle form right after unloading from the firing.
  8. Guest

    Bottle Form In Kiln Before Firing

    From the album: Images For Misc. Posts

    This is the bottle that is shown in a discussion thread sitting in the anagama with the coating of oribe glaze applied over the modified clay body.
  9. Guest

    Charcoal Introduced at End of Firing

    From the album: Images For Misc. Posts

    Hardwood charcoal is introduced on top of the wares on the last step of Fushigigama once the stoking is complete...at about cone 12-13. Then the kiln is sealed up and the burning charcoal causes reduction cooling effects. The charcoal tends to pop and sizzle into sparks....which you see in this clip.
  10. Guest

    Charcoaling Rear Step of Fushigigama

    From the album: Images For Misc. Posts

    The last step of Fushigigama has ports to introduce hardwood charcoal (not charcoal briquettes!) directly onto the load of ware. This is done at the peak of the firing just after ceasing stoking wood and just before sealing up the kiln. Here you can see the general process.
  11. Guest

    ISCAEE 2017 Postcard Front Side

    From the album: John Baymore's Clay Work

    My wood fired vase form which will be inculded in the coming 2017 ISCAEE symposium's exhibition at the University for the Creative Arts in Farnham, England in July. Looking forward to presenting and attending the symposium. We have numerous NHIA faculty, students, and alums attending the symposium.

    © 2017- John Baymore - all rights reserved

  12. Guest

    JBaymore BottleForm

    From the album: Images For Misc. Posts

    Image of a bottle form made from the altered clay shown in another image.
  13. Guest

    JBaymore VaseForm

    From the album: Images For Misc. Posts

    A vase form made from the clay in a prior posting here.
  14. Guest

    JBaymore PotsDryingInSun

    From the album: Images For Misc. Posts

    Pots drying in the sun, getting ready for an anagama firing.
  15. From the album: Images For Misc. Posts

    © 2017 - John Baymore -all rightsd reserved

  16. From the album: John Baymore's Clay Work

    This woodfired Chawan with an iron slip and an American Shino glaze is part of an invitational exhibition at the England Center Gallery in Beebe Arkansas from May 2017 thru July 2017. This exhibition features Emerging Artists in Arkansas, and they have each invited one individual who has been a significant influence on their work. I was honored to have Bobby Lindsay ask me to show with him. Bobby took my pre-NCECA workshop in 2016 about making Chawan.

    © 2017 John Baymore -all rights reserved

  17. From the album: Images For Misc. Posts

    © 2017 John Baymore -all rights reserved

  18. From the album: Images For Misc. Posts

    © 2017 John Baymore -all rights reserved

  19. From the album: Images For Misc. Posts

    Announcement for solo exhibition in February and March of 2017.

    © 2017 - John Baymore - all rights reserved

  20. UNDERSTANDING GLAZE CHEMISTRY WORKSHOP (CER074SA) Sharon Campus of New Hampshire Institute of Art Nov 12 (Saturday), 10am – 3pm Professor John Baymore $129 This one-day seminar workshop will provide participants with a basic understanding of the core concepts that can impact the creation, use, and evaluation of ceramic glazes for studio use. The use of the popular Insight ceramic chemistry calculation software will be introduced, and the approach used to this can be applied to any ceramic chemistry software. Troubleshooting of fired results, "food-safe" qualities, health and safety, legal requirements, and ventilation concepts will also be touched upon. Handouts will be provided to all participants. Prerequisite: Intermediate or greater background in ceramic work To Register NEW HAMPSHIRE INSTITUTE OF ART 148 Concord Street Manchester, NH 03104-4858 BY PHONE Community Education Office (603) 836-2564 IN PERSON Manchester Campus: Mon – Fri, 9am – 4:30pm Registrar, 148 Concord St., Manchester, NH Sharon Arts Campus: Mon – Fri, 9am – 3pm 457 NH Route 123, Sharon, NH BY EMAIL CERegistration@nhia.edu ONLINE www.nhia.edu/CE BY MAIL New Hampshire Institute of Art Community Education Office 148 Concord Street Manchester, NH 03104-4858
  21. Guest

    "Ode to Jurakudai"

    From the album: John Baymore's Clay Work

    Ido-style Chawan. Wood fired and electric fired. Granite bearing stoneware body. American Shino glaze on exterior (with finger wipes), semi-matte feldspathic glaze on interior. Gold luster on interior. Exhibited In "Chawan for Chanoyu" solo exhibition held in conjunction with the 2015 Providence NCECA conference.

    © 2015 John Baymore -all rights reserved

  22. From the album: Kilns designed/constructed by John Baymore

    A single chamber wood fired kiln that was built in Japan at a workshop which I led there in 2006. It is designed to be used for the youhen charcoal finishing process, and you can see the charcoal ports in the wall in the front. It shares a large chimney with a large 5 chamber noborigama (seen behind it). It is fired on a 3 day cycle to 1250 C and then all the ware is buried in wood charcoal for the cooling cycle. This process is heavily used in Bizen. The dubbed this kiln the "Johngama" ( ジョン窯 ) .

    © 2006 John Baymore -all rights reserved

  23. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

  24. Guest

    Smokeless Anagama NHIA 2014

    From the album: Kilns designed/constructed by John Baymore

    Anagama built in 2 weeks during the summer of 2014 by students in my kiln design and operation class at the New Hampshire Institute of Art. It fires completely smokeless and flameless at the top of the chimney.

    © 2014 John Baymore

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