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Found 53 results

  1. From the album: Images For Misc. Posts

    The 5 pieces that I submitted for possible inclusion ion the "High Risk, High Reward" exhibition. The number of pieces in the show will depend on the curator's decisions about the overall exhibition "feel" in the gallery. Some will be in the show.... maybe all.
  2. Guest

    John Baymore Bottle 2 detail

    From the album: Images For Misc. Posts

    This is a detail shot of the surface on the bottom of Bottle 2.
  3. Guest

    John Baymore Bottle 2

    From the album: Images For Misc. Posts

    This is the first bottle shown in a discussion thread.
  4. Guest

    John Baymore Bottle 1 detail

    From the album: Images For Misc. Posts

    Detail shot of the glaze and clay surface on a bottle.
  5. Guest

    John Baymore Bottle

    From the album: Images For Misc. Posts

    A more formal image of the bottle mentioned in a posting thread.
  6. Guest

    FiredBottle Summer2017 1024

    From the album: Images For Misc. Posts

    This is the bottle form right after unloading from the firing.
  7. From the album: Images For Misc. Posts

    This is the bottle that is shown in a discussion thread sitting in the anagama with the coating of oribe glaze applied over the modified clay body.
  8. From the album: Images For Misc. Posts

    Hardwood charcoal is introduced on top of the wares on the last step of Fushigigama once the stoking is complete...at about cone 12-13. Then the kiln is sealed up and the burning charcoal causes reduction cooling effects. The charcoal tends to pop and sizzle into sparks....which you see in this clip.
  9. From the album: Images For Misc. Posts

    The last step of Fushigigama has ports to introduce hardwood charcoal (not charcoal briquettes!) directly onto the load of ware. This is done at the peak of the firing just after ceasing stoking wood and just before sealing up the kiln. Here you can see the general process.
  10. From the album: John Baymore's Clay Work

    My wood fired vase form which will be inculded in the coming 2017 ISCAEE symposium's exhibition at the University for the Creative Arts in Farnham, England in July. Looking forward to presenting and attending the symposium. We have numerous NHIA faculty, students, and alums attending the symposium.

    © 2017- John Baymore - all rights reserved

  11. Guest

    Pyromania!

    From the album: Images For Misc. Posts

    We make pots so we can play with FIRE!
  12. From the album: Images For Misc. Posts

    View in one of the side stoke ports during the firing. Note the wood laying right on the pieces.
  13. Guest

    JBaymore BottleForm

    From the album: Images For Misc. Posts

    Image of a bottle form made from the altered clay shown in another image.
  14. Guest

    JBaymore VaseForm

    From the album: Images For Misc. Posts

    A vase form made from the clay in a prior posting here.
  15. From the album: Images For Misc. Posts

    The early stage of the summer 2017 Fushigigama firing.
  16. Guest

    FushigigamaLoad Summer2017

    From the album: Images For Misc. Posts

    Front step loading of the summer 2017 firing of Fushigigama.
  17. Guest

    JBaymore PotsDryingInSun

    From the album: Images For Misc. Posts

    Pots drying in the sun, getting ready for an anagama firing.
  18. From the album: Images For Misc. Posts

    © 2017 - John Baymore -all rightsd reserved

  19. From the album: John Baymore's Clay Work

    This woodfired Chawan with an iron slip and an American Shino glaze is part of an invitational exhibition at the England Center Gallery in Beebe Arkansas from May 2017 thru July 2017. This exhibition features Emerging Artists in Arkansas, and they have each invited one individual who has been a significant influence on their work. I was honored to have Bobby Lindsay ask me to show with him. Bobby took my pre-NCECA workshop in 2016 about making Chawan.

    © 2017 John Baymore -all rights reserved

  20. Guest

    Youhen Vase Form

    From the album: John Baymore's Clay Work

    Thrown; yakishime; youhen charcoal finish; noborigama woodfired at Kanayamayaki, Goshogawara-shi, Aomori-ken, Japan; Orton cone 14. Private collection in Japan.

    © John Baymore 2013 - all rights reserved

  21. Guest

    Youhen Flower Arranging Vase

    From the album: John Baymore's Clay Work

    Thrown; yakishime; youhen charcoal finish; noborigama woodfired at Kanayamayaki, Goshogawara-shi, Aomori-ken, Japan; Orton cone 14. Private collection in Japan.

    © John Baymore 2013 - all rights reserved

  22. From the album: John Baymore's Clay Work

    Thrown; yakishime; youhen charcoal finish; noborigama woodfired at Kanayamayaki, Goshogawara-shi, Aomori-ken, Japan; Orton cone 14. Private collection in Japan.

    © John Baymore 2013 - all rights reserved

  23. From the album: John Baymore's Clay Work

    Thrown; noborigama woodfired; Orton cone 12; American Shino glaze. In the Tsinghua University collection in Beijing.

    © John Baymore 2011 - all rights reserved

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