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Big Electric Cat

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About Big Electric Cat

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    You can't bring me down.
  • Birthday April 17

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  1. Convince me...

    Woo, take a week or so off from the forum, and look what happens! I like Jim as well, sometimes his view is just what is needed to cut through the crap But I think this time he has gone a bit far. This was a pretty good discussion about mills and reclaiming, and now it is a lecture to someone just trying to express an idea. I will at least apologize to Artificial Gravity for the rough treatment, as it appears no other long time veterans will step up. Most people here are very helpful, and maybe if you stick around, you can benefit, and help others as well. It's still too early to tell!
  2. I see it everywhere!

    Oh, sometimes.
  3. Peel me off this velcro seat...

    Someone asked me, in a message, how I finally get out to the studio. In the interests of privacy, I won't say who asked me, but I will say that I am not really sure what drives me out there. For me, I guess the motivation has a few parts: 1. Time - I don't know about you, but I'm not getting any younger! I only have so many years to make work left, so I better get goin'! We can all hope to be Ruth Duckworth, who was able to work until about six weeks before she died, but we don't know. So I better just get on with it and seize the day. Don Reitz is still working, but has had to scale back in the past few years due to age issues, no more throwing 50 pounds of clay for him. 2.Failure - I guess the possibility of failure always lurks in the back of my mind; but I address this one rather directly - If I get out there and try to make something, I MIGHT fail, but then I might succeed, and rather well. But one thing is guaranteed - if I don't go out to the studio AT ALL, then I WILL "fail.", and have nothing to show. As Mr. Allen said "eighty percent of success is showing up." 3.Self Assessment - In Art and Fear, the authors make the point that you are not the best judge of your own work. So what I think falls short may be regarded as quite adequate to another. But I won't know unless I get out there and MAKE SOMETHING. There are other points, so I'll add them as I think of them.
  4. food safe?

    Glaze and I don't really get along, so I know less than I probably should about them, but this recipe for a "Glaze" looked suspicious even to me. Because I have been looking at recipes for black slip lately, I thought that this more closely resembled a slip recipe, but that still seems to be a MONSTER amount of Mn for a slip or glaze, alot of them have 4-6% Mn. Then I was wondering where the glass formers were, I thought "there can't be enough in the ball clay, can there?" So I'm glad bciske and John weighed in on this, I at least learned something. Now to get to that pound of MnO2that I have out in the studio...
  5. In the spirit of today's America, you will be hearing from my attorney. Don't worry about it, it happens. I once made a mistake at work that caused the rejection/recall of $150,000 worth of product, and I wasn't fired, so something like this is no big deal! Just get ready, cause I'm gonna win the next "Buckeye Rib Contest!"
  6. Well, I'd like to win some of your nice ribs, but I must admit that this one has me stumped! I'm very good at ferreting out info on this forum, from past posts, but no luck here. There have been 34 posts by Chris since you joined on 06 Oct 2011, and none of them has a book recommendation to you. Or do they???? I'd keep looking, but I have to cut my grass for the last time this year, pick up my cat's medicine, and oh yeah, throw some. Good luck to other seekers!
  7. Tooling Leather Hard Clay

    I forgot about Marvin Blackmore, he has been doing something like what you have in mind : http://www.blackmorepottery.com/ I met him and saw his work at the ACE show a couple of years ago; the photos don't do the work justice - the detail, precision are mind-boggling. This year he is at SOFA Chicago, so I'll stop by and say hi to him, I'm sure he'll remember me.
  8. Books are your friends...

    Posted mine here : http://ceramicartsdaily.org/community/topic/1364-lets-list-our-must-have-pottery-books/
  9. kiln Furniture clay body for?

    There's a thread about this , which includes Glumpler's recipe from glazesharing blog: http://ceramicartsdaily.org/community/topic/1423-making-kiln-furniture/
  10. Two Potters Inspired by Oil

    Well, I guess that settles that. If only I'd known that it's so simple.
  11. Guess how much clay I used...

    8 pounds, 12 ounces.
  12. To Sign Or Not To Sign

    I use a stylised combination of my initials to sign. Sometimes there isn't room enough for any more than that!
  13. Two Potters Inspired by Oil

    Mr. Kovatch obviously feels strongly about the subject, so maybe by the time he reached the end of his letter, perhaps he felt he pressed his point a bit too hard.
  14. Naturally sourcing for glazes

    Frankly, it's too damn much trouble for me to go out and dig and process my own rock and clay, especially, if, like me, you just want to make things and concentrate on their design and construction. Author Jeff Zamek makes the point that for the average potter, it is easier, and more economically sound, to buy your materials, so that you can concentrate on making. But then, some people are very interested in the very beginnings of a craft, and will cut their own logs for turning, or harvest and dye their own fibers for weaving, etc. At one point, I thought it would be fun to do, so I purchased the book Glazes from Natural Sources (2nd edition) by Brian Sutherland (1929-1988). This book will tell you how to locate glaze materials, and forumulate, test, and best use the glazes. It also shows you how to make some equipment, like a beam scale, ball mill, and other test materials, how to do line and triaxial blend, Seger formulas, etc. This book, along with Harry Davis' The Potter's Alternative, should really get you up and running. http://www.amazon.com/Glazes-Natural-Sources-Brian-Sutherland/dp/0812219457/ref=sr_1_1?s=books&ie=UTF8&qid=1319340255&sr=1-1
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