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The amber is a lot of fun and I really like it on a lot of my work, but it doesn't have the "look", e.g., the "deep" glossy surface, of the old lead based honey yellow glazes that Mary Wondrausch and other slipware masters work had. My plan is to find one or two other good candidate base glazes, test them against two base glazes I already use and know well, and see which one gets me the closest to that lead fluxed honey yellow the slipware masters used.
You are right about needing to brushing slip around the sprigs and appliqué... thanks!
yeh, replicating the lead a big ask but worth the journey.