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    • Jennifer Harnetty

      Moderators needed!   12/08/2017

      Ceramic Arts Network is looking for two new forum moderators for the Clay and Glaze Chemistry and Equipment Use and Repair sections of the Ceramic Arts Network Community Forum. We are looking for somebody who is an active participant (i.e. somebody who participates on a daily basis, or near daily) on the forum. Moderators must be willing to monitor the forum on a daily basis to remove spam, make sure members are adhering to the Forum Terms of Use, and make sure posts are in the appropriate categories. In addition to moderating their primary sections, Moderators must work as a team with other moderators to monitor the areas of the forum that do not have dedicated moderators (Educational Approaches and Resources, Aesthetic Approaches and Philosophy, etc.). Moderators must have a solid understanding of the area of the forum they are going to moderate (i.e. the Clay and Glaze Chemistry moderator must be somebody who mixes, tests, and has a decent understanding of materials). Moderators must be diplomatic communicators, be receptive to others’ ideas, and be able to see things from multiple perspectives. This is a volunteer position that comes with an honorary annual ICAN Gold membership. If you are interested, please send an email outlining your experience and qualifications to jharnetty@ceramics.org.


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  • Birthday 10/02/1960

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  1. The Starter Wheel

    can you just slip a plastic bag over it and secure?
  2. Cone 6 call today-no help

    so, anyone know anything about this kiln
  3. Cone 6 call today-no help

    Ya know I am stumped. I decided that this post was really kind of off topic and decided I would first research to see if this kiln has already been discussed and then post in a separate thread if not, but I do not see that I can delete this post. has that ability been removed?
  4. Cone 6 call today-no help

    Have a book called alternative kilns and another one by Olsen, the kiln book. In one of those there is a set of plans for a fairly small CF wood burning kiln that uses about a half cord of wood to fire. Just found a reference to one on this site as well (Manabigama): https://ceramicartsnetwork.org/wp-content/uploads/2009/09/woodfirefreemium.pdf I know that's over a $100 bucks a firing but for 24 cf really not that bad, how does that stack up to natural gas and propane? Anyone have any insight to this kiln?
  5. L&L easy fire front loading kiln

    One thing I will point out is that consider the venting setup when thinking about the unit being portable. I had a duh moment when I did the exact same thing and ordered the super duper $500 cart for a kiln last year. The stand was built to handle a tank so I ended up being happy with it and love the way it extends beyond the sides of the bottom of the kiln but after setting up I could really not without a huge hassle, roll it to the side. As a side note, yes I do know the regular stands that just go under the kilns are fine, have a larger oval that has been sitting on one for going on ten years and its just fine. it just looks so wrong and the sturdy cart that encases the whole bottom looks so right
  6. Thanks Min! Well I guess I should clarify, it will be a 2 car-garagio. In our price range I just couldn't find a house that didn't need anything AND land to build a studio. Zero house projects was the most important thing to us both so a garagio it is. I used to take care of an acre/ house and studio building in the NW so this will be a treat. Place even has landscaping with sprinkler system. Funny how your priorities change. As I age time seems to become more important and stuff less.
  7. I just wanted to post an update. I have been back the past couple of days poking through recent post, tossing an opinion here and there and I must say it feels like I am back at work and catching up on what everyone has been up to. Thank all of you so much for the support you showed me when I packed it in on on potting full time, it really did help a lot. I see I made this post at the end of May but My studio went into storage in April and I began scrambling to put my life back together. Everything has worked out fine. I am lucky that I am a programmer and landed a 100 hour monthly contract fairly quickly and they hired me full time at the end of August. Close on a new house in a couple of weeks and will have a new studio up and running by the end of December. Ya know I guess I am looking at my pottery business as having just been on a break. I am pretty much going to be picking up where I left off. I only stopped because I was literally out of money. That's been solved. Also my new gig is 8 hours a day M-F from home so no commute or down time. Literally hit the computer at 7:30 and off to the studio at 3:30-4. Plan to average 4-5 hours a day and take weekends off for shows or camping or whatever Life is good and very pumped and excited to get back to work. I would rather do it without the distraction of a job but that just didn't work out and this is the next best thing. The upside is I do enjoy programming so the day job doesn't suck either. Thanks again!
  8. I read somewhere, maybe here, "forget your family and friends, they will never see you as an artist". I think that is mostly spot on for self taught and at the same time I think self taught folks feel more defensive. I don't think anyone in my life space really takes me that seriously but then again I really never engage anyone about it either. My partner gets a lot of accolades and she deserves it because her work is excellent and she is a very 'talented' artist. I don't mean this badly but I don't really want opinions on my work at this point. I care if customers buy the work because that's the only real validation I can trust and the rest is really noise and confusing and I don't want to be confused. I know whats good and whats crap and I'm working on it. If the work is good then people who like and buy handmade pottery will buy it. The stuff they don't buy missed the mark. I think the 10k hour rule is mostly true as a benchmark in almost anything really. Talent may give it a jump start and lack of certain qualities will put a ceiling on how refined the work or activity will get. I was a pretty good tennis player after a few k hours in HS but I was not great. Who knows what another 6-7k hours would have meant? Didn't find out with tennis (shoulder surgery) but I will hit 10k with pottery. Been without a studio for 6 months and failed at a 2 year run at full time. Although I am back to part time, I did git a huge number of hours in, particularly at the end, so its all moving forward. New studio next month and really happy about that :-)
  9. Table Top Slab Roller

    I would recommend going with a table mounted one if you can add a couple hundred more to your budget, less hassle. Baileys has one for around $750 with frame, counter-tops and canvas. I have both, bought the small one to save money and space but it's a pain to clear space and put away and pull out. Because of handles, rollers and such you have to be careful where you put it and not stack anything on it. I missed just rolling out the slab and moving on with no fuss. New studio next month will be with the larger table mounted and I am excited to retire the tabletop.
  10. I can't imagine doing it on a regular basis unless I strictly sprayed and even then probably wouldn't bother. I see bisque as the step to get the pots ready to work with. Moving 50-60 pots around to get ready for and do a glaze run (often late at night pushing a load through) would just be too fussy if I was working with greenware and it would piss me off when I lost pieces and I am heavy handed enough that I would lose pieces all the time. I just like working with sturdy bisque ware.
  11. I like the article. I like to read things like this. It makes me spend a moment on self reflection and that's a good thing. ya know one thing I would toss into the discussion is that the nature of selling functional ware pottery for a living will, or at least can, certainly change the level of the work, often profoundly. Time is at such a premium for a full timer and more time consuming work may not sell in any real numbers and hours spent on something elaborate may not really be worth enough to a customer to offset the time. I don't know if its really fair to compare part timers and full timers for functional pottery because its such a different head. They may both have an eye to production and to artistic expression but its going to be a somewhat flipped, different mix and that's going to change the body of work. It is what it is.
  12. I would suggest staying away from putting cents in your handmade pottery pricing. I think the folks that buy your pottery are not responding to marketing jargon in the same way as manufactured items you might sell. I do add tax so the final price usually has some cents in it though.
  13. Thank you all so much for all the support and kind words. I ran out of likes for the day but it was very nice of you all to take a minute and wish me well. While I am taking a break out of necessity I will be right back at it soon and one day may strike out again. In the meantime the pressure being off trying to produce large numbers pots every day will be a good thing for my work in the long run. Have scores of projects there never seemed to be enough time for. Going to just relax and try to get a few hours a day of meaningful work and enjoy the work itself again.
  14. I will say this, I didn't quit, I failed. With the losses mounting I just doubled down and worked harder until I was broke and scrambling to save my credit and eat. I stopped because there was simply no choice and literally no way to continue.
  15. Just thought i would post this to give advice to someone thinking of doing pottery full time at regional/local shows, don't do it lightly. After a few dozen weekend shows and tons of one day shows I just don't see it as viable doing run of the mill arts & craft shows and festivals to make much more than supplemental income. Marks approach of spreading a wide 1000 mile net and building up a slate of producing shows and growing customer base over years and years and Mae's approach of only working high end juried shows obviously works for them but first you have to be the potters they are and both of those approaches take time and if you plunge in full time like I did, time is not something you have. Time is in years and you have to pay bills in between. It's so easy to say I will tough it out but when the pantry gets bare that approach is just wishful thinking. Was it my pottery, maybe, but ya know at every show I saw every other potter, mostly with perfectly solid work probably not doing much better than me and often less. The south is brutal but even in the NW, where it was often twice the revenue, it was not a living, at least not a decent one. If you want to do this my advice is keep the day job until you have a solid 8-10 shows that you are doing that gross 5 grand. Plenty of people here claim that this is a perfectly doable number with good pottery, at good shows. I never saw anywhere near that or ever saw another pottery coming anywhere close to that so if you think it will happen for you, prove that it will by finding those shows before leaving your paycheck behind. Consignment? Wholesale? same advice, prove it first. I spent a number of years part time and i thought If i was doing it full time I could cycle through shows quickly and find the right ones but the reality of road expenses and the reality that most local shows are not going to do more than add a meager paycheck puts you in a no win situation. Yes if that road show that cost $1500 to go do and grosses 5-6k it works but if you go do a half dozen of these and drop $9000 and the gross is less, and its very likely it will be for most, then after a couple of months of work you have less than you started with, maybe much less. Rinse and repeat and you are just digging a hole deeper and deeper. If you do find a couple of 5k shows they meaningless on making a living because of the piled up losses. I never found any so I just lost my a$$, In short listen to Mea, Mark and others and build up the pottery revenue BEFORE quitting your job.

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