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Chris Campbell

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About Chris Campbell

  • Rank
    clay stained since 1988

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  • Website URL
    http://www.ccpottery.com

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  • Gender
    Female
  • Location
    Raleigh, NC

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  1. Paper clay recipes

    Here is a link to the page on my site that describes making paper clay. http://www.ccpottery.com/paper.html
  2. LOOKING FOR CERAMIC WORKSHOP

    Try the John Campbell Folk School in Brasstown NC ... Website ... folkschool.org ... great place, nice people.
  3. Tell them to open themselves up to the culture and let it change them ... don’t seek the safety of known things.
  4. At one stage, my failure rate was about 75% and it was getting to me ... then I read about a Japanese potter whose failure rate was always about 98% ... so I decided mine was not so bad. :-) oh yeah ... one cure was controlled cooling ... it is now under 50% ... sometimes better. as Mario Andretti once said ... if everything seems to be under control, you’re not going fast enough,
  5. ... if you cannot tolerate unpredictability ... If you need an absolute answer ... If breaking a piece (or twenty) is devastating ... if you want instant gratification ... if ten years is too long to work on a glaze or with a clay body ... if a month is too long to wait for something to dry ... if throwing is harder than it looks and you don't want to put in the years ... yes Callie is right on , if you can't do failure, do something else because it is part and parcel of this craft no matter how long you do it. If you are not failing, you are not trying new things.
  6. Here’s one from a current discussion .... you know you are not meant to be a potter if ......
  7. I would suggest trying another, more forgiving clay body. Some are better than others for hand building. If you absolutely love this clay, then wet your work surface so any forming or rolling is being done on a damp surface. This works better than directly wetting the clay ... misting sometimes just makes the clay slippery as it does not sink in.
  8. If one of your students....

    It’s actually weirdly funny to think about you taking the time to fire glaze samples that look nothing like the results. You probably also uncenter the clay. Do you go around at night with your s-crack device and ruin the plates? Maybe you are the one who shrinks bowls too! Fess up ... do you warp pots in your spare time?
  9. If one of your students....

    I agree ... you handled it with class and your other students know what is happening. I would ask her to stay after the last class of this session and privately ask her if she wants to be in the next round of classes or not. Explain that this is not an instant gratification place and it takes years to learn. Tell her you will not be abused or called a liar again and if she cannot go with this, please do not return. Then it is up to you to decide if the next class is “full” or not when she does apply.
  10. Selling in Galleries

    I’m with Mea on this ... 80/20 suggests people who either do not know what they are doing or they just want to act out the role of getting things locally. I would almost guarantee they won’t be selling your work so it will have to sell itself. Mugs is what I would supply ... espresso size, latte size and large size. Good luck with it!
  11. Catskills, NY/July 19-23, 2018/Colored Clay

    UPDATE: ... the class is filled but, they are taking names for a waiting list. Looking forward to meeting and teaching everyone who signed up! Chris
  12. success 1. The accomplishment of an aim or purpose. 2. The attainment of fame, wealth, or social status. 3. A person or thing that achieves desired aims or attains fame, wealth, etc. 4. archaic - The good or bad outcome of an undertaking. In pottery we can pretty well rule out #2. I would tend to go for #1 or 4. I like the idea that just finishing and reaching your goal is enough. You don't have to find the meaning of life .... just accomplish what you set out to do. That is very satisfying.
  13. Competing Styles

    Sadly, none of us is the special exemption to the rules of commerce. People do not want to see how hard you work, how long it took, what your studio looks like, what throwing looks like ... save your money and keep that filler stuff for your website ... customers look at your work and decide if it is worth their money. Scary huh? They look at your work and decide if it is worth spending their hard earned money on.
  14. Competing Styles

    Sorry but this was my morning smile ... people DO NOT READ ... nope, you can mark a simple exit and they will ask which way is out. I saw a show ( City in the Sky ... really good ) on how Atlanta airport moves people through it with pictures and subtle cues of pavement changes and patterns. Trying to move them using printed words slows the whole process down too much.
  15. Competing Styles

    This evolution is not so much about Marketing and Sales as it is about the voyage of discovery that learning your craft is ... and finding where you fit into the picture. I very strongly recommend that every new potter tries every possible technique that pops into their heads ... jump in, enjoy and grab every lesson from it you can. This learning by doing builds your knowledge base with clay ... every success and failure teaches you something you will remember and apply later on. There are no wasted digressions when learning a craft ... that is part of the joy of it. Because one day you will get smacked upside the head with the one that grabs you ... the one you cannot let go of and that is one great day. You think that you have narrowed your sights but when you get into it, it keeps expanding and the options improbably grow rather than shrink. The more you know, the more you don't know. This is the sweet spot that so many artists want to reach ... their style, their voice ... and I submit, there is no straight road to it. If you look at the work of any artist in any field you might not recognize their early work at all ... but only sometimes see little clues to where they finally end up. This is why experienced Gallery owners, judges, editors, collectors, customers etc., etc., value the importance of seeing a cohesive line of work ... it is an exciting signpost of someone who has reached a certain point in their career. They bet on the fact that there is more where that came from and they will be able to provide it to their customers as well. They love to see an artist grow within it ... like great jazz, play riffs around it. It is why they stay interested in working with these artists. That said, it is not something you HAVE TO DO. If you want to make everything and try everything then do it. Learn all you can and move on to the next thing. Just realize that this wide variety of items speaks for you just as a cohesive line says something else. Like everything else with clay ... it all depends on what you want to do next.
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